There is an unmistakable layer of “people-watching” cinema brings to its artistic atmosphere and aesthetic. An omnipresent camera grants private points-of-view, shines light on secrets, and challenges the observational skills of the audience. Kenneth Lonergan’s “Manchester by the Sea” introduces the wearisome life of one solitary man and proceeds to unearth the repressed sorrow and unspoken emotions that lie underneath his mundane exterior. The most praiseworthy character-driven films have the patience to cultivate its truths with substance and the wisdom to never give you everything. Lonergan’s near-perfect jewel is a new exemplar of such qualities and one of the finest films of 2016.

MOVIE REVIEW: Nocturnal Animals

The leap for every filmmaker is translating their creative eye to the cinematic medium. Hitchcock’s feverish writing fed his mise-en-scene and attention to detail. Spielberg grew his outdoor sense of adventure to the highest possibilities and beyond. With an eye for the cultured human form and colorful finery, Tom Ford saturates every edge of his films with ornate style. The man is never boring and neither is one iota of “Nocturnal Animals,” Ford’s second feature film and a cage-rattling psychological thriller.

MOVIE REVIEW: Loving

With a minimalist style and unadorned simplicity to reflect on racial intolerance, Jeff Nichols crafts “Loving” as a reminiscence of history without the histrionics. Devoid of soapboxes, speechifying, and manufactured swells of forced emotion seen in far too many historical dramas, “Loving” cuts a different cloth, trading in Hollywood glamor for blue collar truthfulness. Nichols brilliantly lets the honesty and grace of Richard and Mildred Loving stand on their own without an unnecessary pedestal. Cite this film as proof that “tell it like it is” does not require bombastic noise and volume.

MOVIE REVIEW: Moonlight

I dare you to look into the painful eyes of the three ages of Chiron and their matching performers and not have your soul triple in weight. The arc in "Moonlight" from the innocence of the little boy to the uncomfortable vulnerability hiding underneath the muscles and gold fronts of the hardened resulting adult is arduously moving on multiple levels. Observing his difficulties forces you to absorb the conflict and inescapable trepidation that surrounds the shared character. Pressing his heart to your own makes for one of the most moving and rewarding film experiences this year.

2016, 5 STARS, Chicago Film Festival, Independent Film, MOVIE REVIEWDon ShanahanNovember 6, 2016Landmark Century Centre Cinemas2016, Festival coverage, festival preview, Chicago International Film Festival, 52nd Chicago International Film Festival, Black Perspectives, Special Presentations, Moonlight, Barry Jenkins, Trevante Rhodes, Ashton Sanders, Alex Hibbert, Barbara Lewis, Mahershala Ali, Naomie Harris, Tarell Alvin McCraney, Brad Pitt, Plan B, #OscarsSoWhite, James Laxton, Nicholas Britell, Loving, Jeff Nichols, Andre Holland, Jharrel Jerome, Janelle Monae, Jaden Piner, Liberty City, Miami, LGBT, LGBTQ+, Boyhood, Richard Linklater, film review, movie review, film commentary, movie commentary, Life lessons from movies, life lessons from films, life lessons from movies, life lessons, life lessons from film, Life lessons, Audience Award, 2016 Fall Movues, 2016 Fall Movies, 2016 Holiday Movies, Oscar contenders, Donald Shanahan, Don Shanahan, Every Movie Has a Lesson, independent filmsComment

SHORT FILM REVIEW: The Story of 90 Coins

"The Story of 90 Coins" is a microcosm of pure and modern young love that transfers in any language and is free of unnecessary cinematic obstacle courses that strain believability. This short story is completely relatable and endearing melodrama in all its approachable beauty that succeeds in under 10 minutes to tug heartstrings and linger in your consciousness. Don’t you dare call this an overlong greeting card, a miniature soap opera, or a expanded touchy-feely TV commercial.

DOCUMENTARY REVIEW: A Doctor's Sword

A masterfully powerful documentary, “A Doctor’s Sword,” chronicling the reflective and jarring tale of Irish World War II veteran Aidan MacCarthy, recently played as part of the second annual Irish American Movie Hooley at the Gene Siskel Film Center in Chicago. One half of this fine film is an astounding you-wouldn't-believe-it-if-I-told-you true story of World War II survival that would make "Unbroken" look like a nursery rhyme. Its calmer other half takes place in a present day where two proud families and two proud countries are forever bonded by shared history.

2016, 5 STARS, DOCUMENTARY REVIEW, Foreign Film, Independent Film, SPECIALDon ShanahanOctober 13, 2016Gene Siskel Film Center2015, 2016, Irish films, Irish American Movie Hooley, Irish American films, 2nd Annual Irish American Movie Hooley, Gene Siskel Film Center, Chicago, Ireland, World War II, Battle of Dunkirk, Nagasaki bombing, A Doctor's Wars, A Doctor's Sword, Aidan MacCarthy, documentary review, Documentary filmmaking, documentary commentary, documentary, Best Documentary, Gary Lennon, Ronan Coyle, Unbroken, POW, Castletownbere, Beara Peninsula, County Cork, life lessons from film, Life lessons from film, life lessons from movies, life lessons from documentaries, life lessons, Life lessons, movie commentary, film commentary, film review, movie review, Donald Shanahan, Don Shanahan, Every Movie Has a LessonComment

SHORT FILM REVIEW: Endless Waltz

People will speak with dueling dichotomy and similarity that nothing is more simple, and yet more complicated, than life and death. The plainness comes in the inevitability of the outcome no matter the the journey, while the complexity lies in the individual beauty of each life’s path. In a symphonic microcosm of eight minutes, the short film “Endless Waltz” paints its portrait of beauty giving way to finality with utter perfection.

2016, 5 STARS, MOVIE REVIEW, SHORT FILMS, Video on DemandDon ShanahanSeptember 21, 2016Crescent Beach2016, short film review, Short Film, short film commentary, Short films, Best Live Action Short, Best Live Action Short Film, Endless Waltz, Zac Richardson, Erika Forest, Looking Death in the Eye, Crescent Beach, British Columbia, Best Documentary Short Subject, Documentary Short, Kevin Lee Graham, Luis Miguesl Villarreal, Infinito non Finito, Vaughn Lowell Swenson, Victoria Raskin, YouTube, Zachary Richardson, Shelley Janze, Mona Hassamen, Sarah Bryn Malladaine, Zoe Law, Sahara Forest, Naomi Hughes-Hall, Ken Godmere, Nicole Norikowa, life les, life lessons, life lessons from films, life lessons from movies, life lesson, life lessons from film, life lessons from documentaries, movie commentary, film commentary, movie review, film review, Donald Shanahan, Don Shanahan, Every Movie Has a LessonComment

MOVIE REVIEW: The Light Between Oceans

One could say melodramas take preposterous human mistakes and play them for dramatic effect. They challenge the audience to interpret how you would act defiantly or morally differently in the same situation. These films do so while still compelling you watch in hope for any semblance of a happy ending. To understand “The Light Between Oceans” is to understand melodrama. The themes of melodramatic journeys are meant to be arduous. In the medium of film, the clinchers that aid in the ability to embrace and appreciate a melodrama are its tone and the acting performances. “The Light Between Oceans” flourishes to accomplish both benchmarks.

ADVANCE MOVIE REVIEW, 2016, MOVIE REVIEW, 5 STARSDon ShanahanAugust 31, 2016World War I, The Place Beyond the Pines, life lessons from films, Donald Shanahan, Epic, The Lobster, 2016 Fall Movies, Every Movie Has a Lesson, David Lean, movie review, The Danish Girl, Malborough, New Zealand, life lessons, 12 Years a Slave, The Light Between Oceans, Oscar contenders, Adam Arkapaw, Tim Dirks, Alexandre Desplat, Bryan Brown, Cinematography, Oscar hopefuls, Don Shanahan, Youth, Jack Thompson, AMC, Alicia Vikander, Macbeth, Ingrid Bergman, melodramas, life lessons from movies, 2016, Oscar race, life lessons from film, Blue Valentine, Shame, Awards bait, Oscar bait, movie commentary, Michael Fassbender, Filmsite.org, Derek Cianfrance, film commentary, movie melodramas, Rachel Weisz, film review, Cape Campbell Lighthouse, M.L. Steadman, Filmsite, Daniel Day-Lewis, Steve Jobs Comments

MOVIE REVIEW: Southside with You

"Southside with You" is a date movie. It just happens to be about impossibly famous people. One of this film's many strong accomplishments is its ability to enamor and enchant you often to forget that the two main characters are the future President and First Lady of the United States of America. That is no small feat and one accomplished through flourishing grace from the filmmakers and magnetic allure from its lead performers.

MOVIE REVIEW: Pete's Dragon

Blooming out of a cradle of artistic and narrative perseverance, it is clear a philosophy of great care and pleasant patience was given to “Pete’s Dragon” by Lowery and company. The film enhances the magical charm audiences remember from the original with newly gained maturity to operate as a loving family drama and touching adventure of friendship. It is a welcome and calming addition of heft painted by that superb idyllic tone. The wonderment never overplays its moments.

MOVIE REVIEW, 5 STARS, ADVANCE MOVIE REVIEW, 2016Don ShanahanAugust 9, 2016Don Shanahan, 2016, Lindsey Stirling, Summer Movies, Every Movie Has a Lesson, Oona Laurence, Leonard Cohen, Bosque Brown, Pixar, film commentary, Robert Redford, Life lessons, St. Vincent, Bonnie "Prince" Billy, Ain't Them Bodies Saints, family films, The Lumineers, 2016 Summer Movies, Donald Shanahan, Life lessons from movies, Okkervil River, movie commentary, Beau, Karl Urban, Life lessons from film, summer blockbusters, Candle in the Water, Daniel Hart, Walt Disney Pictures, Disney, summer movie, David Lowery, Oakes Fegley, Life Lessons, life lessons from films, Bryce Dallas Howard, film review, Beauty and the Beast, Pete's Dragon, life lessons from film, life lessons from movies, Wes Bentley, movie review, life lessonsComment

DOCUMENTARY REVIEW: Life, Animated

This website has been moralizing for six years now its central message that "every movie has a lesson." As an educator, it is something that I firmly believe and stand by with every possible film, good or bad. I don't think, in all of my years of movie-going, I have ever seen a more real, living and breathing example of the power and magic of my website's theme than in the compelling and emotional new documentary "Life, Animated." A story like this is why I write. If that message speaks to you, go find "Life, Animated" immediately.

MOVIE REVIEW: Coming Through the Rye

2016 Phoenix Film Festival special presentation

With full disclosure, this very writer is an absolute sucker for a satisfying "coming-of-age" film. Their youthful themes keep us young and sway our sensibilities to reflect on our own lives, no matter our age. Admirable coming-of-age films are always welcome, but the exceptional ones deserve to get shouted from the mountaintops. James Sadwith's "Coming Through the Rye" recently won Best Film and Best Screenplay honors at the 2016 Phoenix Film Festival. This infatuating dramedy earns that special distinction of exceptionality and warrants all of the volume one can muster.

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