Posts tagged 2016
SHORT FILM REVIEW: Not Yet

For a while now, I have long wondered how someone could bottle that signature Pixar-level lightness for dramatic heft and pour it into a live-action piece with the same welcome whimsy.  Pixar's animated feature films and shorts consistently have a special way with conveying humor within the most difficult emotions  I might have found the closest attempt yet in Chad Hamilton’s lovely short film Not Yet.

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MOVIE REVIEW: The Dunning Man

Inspired by true events, which will cause a fun double take as the film transpires, The Dunning Man is adapted from the published short stories of producer Kevin Fortuna.  Precariously, at times, balancing somewhere between an urban drama and paperback crime novel, the film presents a seedy slice of Atlantic City calmed by nostalgic scene transitions of vintage footage of the city in its decadent heyday.

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MOVIE REVIEW: Lost in Paris

Lost in Paris is an exceedingly charming ditty of a comedy from the writing, directing, and starring duo of Dominique Abel and Fiona Gordon.  Three overlapping character-coded chapters follow a wayward character’s pratfalls and screwups through the course of their fateful intersections.  Lost in Paris weaves its yarn with clever panache.  It’s a surreal jaunt that juggles the cheekily uncouth with the innocently sweet inside its ever-present sense of whimsy.

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MOVIE REVIEW: I, Daniel Blake

I, Daniel Blake is unabashedly a “bleeding heart” film on literal and figurative levels.  If this was a Hollywood film, it would be overrun with shouted speeches and orchestrational swells trying to manufacture emotional peaks.  Fluff like that is unnecessary if you have the right poetic realism,  For Loach, that’s second hand and he picks the right soapbox placement and thickness.

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MOVIE REVIEW: Love, Lies

“Love, Lies” plays upon the decaying dichotomy orbiting the two women as they vie for love and validation against dignity and betrayal.  It’s impossible not to feel the emotions imbued into the punctuating moments of expression through song that fully embody the conflict and romantic encumbrances weighing on the characters.  The music is the vital and resonating fiber that unites the period atmosphere with the stirring portrayals of talent.

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MOVIE REVIEW: My Egg Boy

The trappings of “My Egg Boy” are firmly entrenched in melodrama, yet kissed with delightful fancy.  The strength is in the dynamic writing to weave practical magic with fertile imagination.  The romantic and symbolistic peaks and valleys built by Tien-Yu Fu are endlessly relatable even when characterized.  What begins as whimsy evolves quite affectingly to something rapturously heartfelt.

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MOVIE REVIEW: Mine

Isolated survival films have an immense draw.  Our self-preservation instincts kick in and we, as the audience, cannot help but hypothetically put ourselves in the same conundrum as the main character.  Often these films delve into the preciousness of the life and dabble in the “what does it all mean” direction to pull even more thought and emotion.  A few metaphors dipped in symbolism make for nice touches.  Regrettably, the peril grinder of “Mine” pounds its not-so-thinly-veiled metaphors repeatedly and insufferably into the ground.

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SHORT FILM REVIEW: Incoming Call

2017 Chicago Irish Film Festival: Shorts Program

“Incoming Call” has a dynamite premise that would make for a fascinating nugget of science fiction.  The possible latitude one could take with the idea of warning the past about the future is endless. This film keenly distills and scales that down to microcosm level of a single person and the matter of picking up the phone.

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SHORT FILM REVIEW: The Apparel

2017 Chicago Irish Film Festival: Shorts Program

Director Peter Delaney and writer Daniel Mooney flesh out miniature character study with decent results.  Andrew Bennett gives a very solid performance to construct numerous shades of character within Joe.  He is a man that is losing touch with his comfort zone.  We never fully know his issues and we shouldn’t have to.

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MOVIE REVIEW: The Great Wall

"The Great Wall" is an imposing creature feature that stands as a three-headed glamour project.  You have an A-list star venturing overseas for international credibility and a splashy director landing his official English-language debut.  Aiming higher in aspiration is a production company hoping to open a new and profitable pipeline of investment between Hollywood and China.  Visually splendid from top to bottom, this epic adventure squeaks by on its looks and spares no expense to make sure of that.

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CAPSULE REVIEWS: The Oscar nominees for Best Animated Short

This year’s Academy Award nominees for Best Animated Short are an eclectic bunch.  One of them, “Borrowed Time,” I have previously reviewed in full on this website.  Here are my collected capsule reviews of the slate of five, complete with my signature life lessons.  Look for the theaters this month bundling these nominees together for public viewing and ticket opportunities.

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DOCUMENTARY REVIEW: I Am Not Your Negro

The documentary “I Am Not Your Negro” from director Raoul Peck unearths “Remember This House,” an unfinished 1979 manuscript of the James Baldwin’s recollections of Medgar, Malcolm, and Martin.  This outstanding and informative film presents Baldwin’s musings alongside sobering imagery of both the turbulent history of the era and parallel occurrences of modern racial unrest that echo the same violence, inequality, anger, and sorrow.  As an Oscar nominee in a banner year for feature documentaries, “I Am Your Negro” is essential viewing.

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