Posts tagged Armie Hammer
MOVIE REVIEW: Cars 3

Wendy's founder Dave Thomas once said: “It all comes back to the basics. Serve customers the best-tasting food at a good value in a clean, comfortable restaurant, and they'll keep coming back.”  Apply that telling quote of ease and simplicity to Cars 3 as a perfect parallel.  The savvy creators at Pixar know how to package a quality product of with clean and clear values that gain brand loyalty from wide audiences.  Returning to its Americana roots, Cars 3 rediscovers the franchise’s successful foundation of wholesome heart.

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MOVIE REVIEW: Free Fire

I don't know about you, but I get a kick out of bad gunshot wound acting in all ages of films.  It’s either hilariously drawn out with overacting or it’s unrealistically rapid in fatality.  The brutal facts of getting shot enough to cause death rarely check out in the movies.  That never stops filmmakers from trying new and creative ways to shoot people with varying degrees of entertainment success.  “Free Fire” is one such film daring to blast anything and everything with ammunition encased with twisted zeal.

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MOVIE REVIEW: Mine

Isolated survival films have an immense draw.  Our self-preservation instincts kick in and we, as the audience, cannot help but hypothetically put ourselves in the same conundrum as the main character.  Often these films delve into the preciousness of the life and dabble in the “what does it all mean” direction to pull even more thought and emotion.  A few metaphors dipped in symbolism make for nice touches.  Regrettably, the peril grinder of “Mine” pounds its not-so-thinly-veiled metaphors repeatedly and insufferably into the ground.

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MOVIE REVIEW: Nocturnal Animals

The leap for every filmmaker is translating their creative eye to the cinematic medium.  Hitchcock’s feverish writing fed his mise-en-scene and attention to detail.  Spielberg grew his outdoor sense of adventure to the highest possibilities and beyond.  With an eye for the cultured human form and colorful finery, Tom Ford saturates every edge of his films with ornate style.  The man is never boring and neither is one iota of “Nocturnal Animals,” Ford’s second feature film and a cage-rattling psychological thriller.

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MOVIE REVIEW: The Birth of a Nation

Circling back to the “timely” label, the film bears the designation in equally positive and negative connotations, depending of your personal capacity.  Consider “The Birth of a Nation” to be the antithesis to “Selma” two years ago.  This film’s depiction of violent retaliation reverberates far differently than Martin Luther King’s example of nonviolence.  Audiences will wrestle with that polar opposite being empowering or troubling in justification.  

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MOVIE REVIEW: The Man From U.N.C.L.E.

Because of the box office clout of James Bond and Ethan Hunt and plenty of failed imitators in between, "The Man From U.N.C.L.E." and its small stature roots already have difficulty standing out as a ripe property for viable franchise possibilities.  It would have to hit on its own unique style to succeed and stand out.  Ritchie's film does exactly that to be an easy and breezy companion to the foreboding likes of the modern spies.  If you feel the spy game has gotten too ominous over the years, slide over to "The Man From U.N.C.L.E." and have a good time.

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