MOVIE REVIEW: War for the Planet of the Apes

A significant shift in attention and investment has occurred in this series. Our hearts and allegiances swayed from rooting for the madness of our own mankind to the superior traits of humanity exhibited by Caesar and his ape brethren. A transformation of empathy like that is downright miraculous. War for the Planet of Apes is a full-bodied epic of glory and pain that matches and then exceeds the moving importance and heart this rebooted franchise has established in two previous knockout films.

2017, 5 STARS, ADVANCE MOVIE REVIEW, MOVIE REVIEWDon ShanahanJune 27, 2017ShowPlace ICON X at Roosevelt Collections2017, 2017 Summer Movies, Planet of the Apes, Dawn of the Planet of the Apes, Rise of the Planet of the Apes, War for the Planet of the Apes, Best of 2017, Andy Serkis, Caesar, Pixar, Toby Kebbell, Woody Harrelson, Ty Olsson, Terry Notary, Karin Konoval, Amiah Miller, Steve Zahn, Spartacus, Jurassic World, Michael Giacchino, Jerry Goldsmith, Lost, Matt Reeves, John Williams, Mark Bomback, Michael Bay, Transformers, The Batman, The Lord of the Rings, Gollum, Toy Story, Star Wars, The Godfather trilogy, Christopher Nolan, Peter Jackson, Special Achievement Oscar, Special Achievement Academy Award, Academy Award, Academy Award hopeful, film review, movie review, movie commentary, film commentary, life lessons, life lessons from film, life lessons from movies, The Lord of the Rings trilogy, Star Wars trilogy, Movie trilogies, trilogies, superior sequels, sequels, reboot, remake, Reimagining, Donald Shanahan, Don ShanahanComment

ADVANCE MOVIE REVIEW: Logan

With stunning brush strokes soaked in pathos and blood, "Logan" taps into a cask of comic book scotch that been reserved to reach maturity. This is, by a country mile, not only the best film of the “X-Men” franchise, but the best of 20th Century Fox’s entire catalog of Marvel Films. Presented as an analogy, “Logan” is to comic book films what “Unforgiven” was to westerns.

2017, 5 STARS, ADVANCE MOVIE REVIEW, MOVIE REVIEWDon ShanahanFebruary 20, 2017Kerasotes ShowPlace ICON X2017, 2017 Winter Movies, Logan, Wolverine, The Wolverine, X-Men Origins: Wolverine, X-Men franchise, X-Men, Marvel Films, Marvel, Marvel Comics, Fox Marvel Universe, Hugh Jackman, James Howlett, Patrick Stewart, Professor X, Charles Xavier, Unforgiven, Old Man Logan, X-23, X-23: Innocence Lost, Stephen Merchant, Caliban, Dafne Keen, Laura Kinney, Richard E. Grant, Boyd Holbrook, Marco Beltrami, Deadpool, James Mangold, Cop Land, Girl Interrupted, 3:10 to Yuma, Walk the Line, Shane, Alan Ladd, movie review, film review, movie commentary, film commentary, comic book films, comic book movie, western themes, life lessons, life lessons from movies, life lessons from film, Life lessons from movies, Life lessons, Don Shanahan, Donald Shanahan, Every Movie Has a LessonComment

DOCUMENTARY REVIEW: I Am Not Your Negro

The documentary “I Am Not Your Negro” from director Raoul Peck unearths “Remember This House,” an unfinished 1979 manuscript of the James Baldwin’s recollections of Medgar, Malcolm, and Martin. This outstanding and informative film presents Baldwin’s musings alongside sobering imagery of both the turbulent history of the era and parallel occurrences of modern racial unrest that echo the same violence, inequality, anger, and sorrow. As an Oscar nominee in a banner year for feature documentaries, “I Am Your Negro” is essential viewing.

MOVIE REVIEW: A Monster Calls

J.A. Bayona’s film, based on the 2011 novel of the same name and adapted for the screen by the author himself, Patrick Hess, operates with a similar dichotomy and balancing act with its genre. “Fantasy” and “genuine” are two words that do not normally mix together. “A Monster Calls” creates an engrossing tale of allegory and myth and still roots it in a setting of stark reality filled with family and flaws.

MOVIE REVIEW: Fences

Movies are an offspring of plays. What started on theater stages can now step into a wider world. Locations can remove the boundaries and improve an immersive story, but the human performances are still what matters most. Words have power regardless of setting. “Fences,” directed by Denzel Washington, is one of the finest and most seamless examples of the power of performance being translated from the stage to the screen.

MOVIE REVIEW: La La Land

In front of and behind the camera, you will find creative people that deftly understand and properly tap into the spirit and flavor of the classic genres and eras they are blending. Breathing jazzy life into a Hollywood musical set in the present day of Priuses and iPhones, Damien Chazelle’s follow-up to “Whiplash” is a modern cinematic masterpiece. It is the kind of film where you will remember where you were when you first saw it. You will not find a more jubilant, romanticized, or flat-out entertaining film this year.

Chicago Film Festival, ADVANCE MOVIE REVIEW, 2016, Film Festival, MOVIE REVIEW, 5 STARSDon ShanahanDecember 15, 2016David Wasco, Crazy Stupid Love, Gene Kelly, life lessons from movies, Justin Hurwitz, movie review, Mary Zophres, La La Land, John Legend, film review, Damien Chazelle, Best of 2016, Don Shanahan, Chicago International Film Festival, Ryan Gosling, Donald Shanahan, Movie musicals, 2016 Holiday Movies, 52nd Chicago International Film Festival, Movies about Los Angeles, Every Movie Has a Lesson, film commentary, life lessons, Festival review, Festival coverage, Oscar contenders, The Umbrellas of Cherbourg, J.K. Simmons, film festival, life lessons from film, Movies about Hollywood, Whiplash, Oscar hopefuls, Emma Stone, Life lessons, Linus Sandgren, musicals, Los Angeles Comments

MOVIE REVIEW: Jackie

Mesmerizing describes the film as a whole and its incomparable lead performance from Academy Award winner Natalie Portman playing First Lady Jacqueline Kennedy in the immediate hours and days following her husband's 1963 assassination. Far from a biopic and more of a psychological examination, Portman and Larrain sear the screen with emotion and imagery that is as captivating as it is difficult. It is astonishing that it takes a foreign director to create the most empowering portrait of American history put to film in years.

2016, 5 STARS, ADVANCE MOVIE REVIEW, Chicago Film Festival, Film Festival, Independent Film, MOVIE REVIEWDon ShanahanDecember 9, 2016Chicago International Film Festival2016, 2016 Holiday Movies, Jackie, Jackie Kennedy, Natalie Portman, Peter Sarsgaard, Robert Kennedy, Greta Gerwig, Chicago International Film Festival, 52nd Chicago International Film Festival, Special Presentations, Best of 2016, Best Actress in a Leading Role, Best Actress, JFK, Pablo Larrain, No, Neruda, Billy Crudup, Max Casella, John Hurt, John F. Kennedy, John F. Kennedy Jr., Caroline Kennedy, Movie presidents, First Lady, Camelot, movie review, film review, movie commentary, film commentary, film festival, Festival review, Festival coverage, life lessons from film, life lessons from movies, life lessons from films, life lessons, Life lessons, life lesson, Donald Shanahan, Don Shanahan, Every Movie Has a Lesson, Jacqueline Kennedy, Jean Rabasse, Halina Gebarowicz, Alan Jay Lerner, Frederick Loewe, Broadway musical, Mica Levi, Noah Oppenheim, Madeline Fontaine, Mac Casella, Jack Valenti, John Carroll Lynch, Lyndon B. Johnson, Casper Phillipsom, Theodore H. White, LIFE magazine, Hyannis PortComment

MOVIE REVIEW: Manchester by the Sea

There is an unmistakable layer of “people-watching” cinema brings to its artistic atmosphere and aesthetic. An omnipresent camera grants private points-of-view, shines light on secrets, and challenges the observational skills of the audience. Kenneth Lonergan’s “Manchester by the Sea” introduces the wearisome life of one solitary man and proceeds to unearth the repressed sorrow and unspoken emotions that lie underneath his mundane exterior. The most praiseworthy character-driven films have the patience to cultivate its truths with substance and the wisdom to never give you everything. Lonergan’s near-perfect jewel is a new exemplar of such qualities and one of the finest films of 2016.

MOVIE REVIEW: Nocturnal Animals

The leap for every filmmaker is translating their creative eye to the cinematic medium. Hitchcock’s feverish writing fed his mise-en-scene and attention to detail. Spielberg grew his outdoor sense of adventure to the highest possibilities and beyond. With an eye for the cultured human form and colorful finery, Tom Ford saturates every edge of his films with ornate style. The man is never boring and neither is one iota of “Nocturnal Animals,” Ford’s second feature film and a cage-rattling psychological thriller.

MOVIE REVIEW: Loving

With a minimalist style and unadorned simplicity to reflect on racial intolerance, Jeff Nichols crafts “Loving” as a reminiscence of history without the histrionics. Devoid of soapboxes, speechifying, and manufactured swells of forced emotion seen in far too many historical dramas, “Loving” cuts a different cloth, trading in Hollywood glamor for blue collar truthfulness. Nichols brilliantly lets the honesty and grace of Richard and Mildred Loving stand on their own without an unnecessary pedestal. Cite this film as proof that “tell it like it is” does not require bombastic noise and volume.

MOVIE REVIEW: Moonlight

I dare you to look into the painful eyes of the three ages of Chiron and their matching performers and not have your soul triple in weight. The arc in "Moonlight" from the innocence of the little boy to the uncomfortable vulnerability hiding underneath the muscles and gold fronts of the hardened resulting adult is arduously moving on multiple levels. Observing his difficulties forces you to absorb the conflict and inescapable trepidation that surrounds the shared character. Pressing his heart to your own makes for one of the most moving and rewarding film experiences this year.

2016, 5 STARS, Chicago Film Festival, Independent Film, MOVIE REVIEWDon ShanahanNovember 6, 2016Landmark Century Centre Cinemas2016, Festival coverage, festival preview, Chicago International Film Festival, 52nd Chicago International Film Festival, Black Perspectives, Special Presentations, Moonlight, Barry Jenkins, Trevante Rhodes, Ashton Sanders, Alex Hibbert, Barbara Lewis, Mahershala Ali, Naomie Harris, Tarell Alvin McCraney, Brad Pitt, Plan B, #OscarsSoWhite, James Laxton, Nicholas Britell, Loving, Jeff Nichols, Andre Holland, Jharrel Jerome, Janelle Monae, Jaden Piner, Liberty City, Miami, LGBT, LGBTQ+, Boyhood, Richard Linklater, film review, movie review, film commentary, movie commentary, Life lessons from movies, life lessons from films, life lessons from movies, life lessons, life lessons from film, Life lessons, Audience Award, 2016 Fall Movues, 2016 Fall Movies, 2016 Holiday Movies, Oscar contenders, Donald Shanahan, Don Shanahan, Every Movie Has a Lesson, independent filmsComment

SHORT FILM REVIEW: The Story of 90 Coins

"The Story of 90 Coins" is a microcosm of pure and modern young love that transfers in any language and is free of unnecessary cinematic obstacle courses that strain believability. This short story is completely relatable and endearing melodrama in all its approachable beauty that succeeds in under 10 minutes to tug heartstrings and linger in your consciousness. Don’t you dare call this an overlong greeting card, a miniature soap opera, or a expanded touchy-feely TV commercial.

EVERY MOVIE HAS A LESSON

by Don Shanahan

BRINGING YOU MOVIE REVIEWS AND MORE SINCE 2010

CRYPTOCASINOS

TheVore.com Streaming options

Brilliantly

Content & Links