MOVIE REVIEW: Moana

She may wear a dress and have an animal sidekick, but don’t you dare call Moana a “princess.” The enterprising titular “chieftain’s daughter” is a breezy breath of warm Pacific air surging through a Mouse House built on castles, corsets, and crowns. Promoting powerhouse diversity and pushing away the trappings of romance, “Moana” is a progressive step from Walt Disney Animation Studios carrying wonderful messages for young girls in a Millennial day-and-age that is too often obsessed with body image and glamour.

GUEST CRITIC #18: Fantastic Beasts and Where to Find Them

Give a warm, Show-Me-State welcome to Mr. Shane Bowen. Shane is a fourth grade teacher in the St Louis area. Like so many educators (myself included), Shane flexes a creative muscle outside of the textbooks and paper-grading. Mr. Bowen also writes novels as a hobby. Shane recently started his own publishing company, Out the Window Books at www.outthewindowbooks.com. This man has talent and knows the power of a good beer and a good movie. Enjoy this review of "Fantastic Beasts and Where to Find Them."

MEDIA APPEARANCE: Guest on the "Kicking the Seat" podcast talking "Moana"

After attending a last-minute press screening of "Moana" for a plus-one Date Night with my wife and "Pillow Rankings" cohort Thanh Shanahan, I was cordially invited by "Kicking the Seat" film critic and friend-of-the-page Ian Simmons to once again be a guest on his stellar podcast. This 173rd episode was my first solo flight with Ian and we shared a highly enjoyable back-and-forth at the Golden Nugget Pancake House about strong female characters, Candyland conundrums, the appetizing animated short "Inner Workings," the ever-present Dwayne Johnson bump, mythology comparisons, Katherine Helmond tributes, and much more.

GUEST CRITIC #17: Fantastic Beasts and Where to Find Them

I'm calling in the big guns for this latest "Guest Critic" entry. The man you will read tonight is full-fledged fellow film critic with his own podcast. Fancy pants! Meet Blaine Grimes, a new Oklahoma resident by way of Texas. I became social media acquaintances through another Texan, friend of the page and all-round critic himself, Tim Day of "Day at the Movies." We have enjoyed following each other's work and pestering Tim Day every since.

GUEST CRITIC #16: Fantastic Beasts and Where to Find Them

As busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, there are other experts out there. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. My latest "Guest Critic" is a high school classmate of mine, Kelly Meents.

VIDEO: Post-film reactions to "Billy Lynn's Long Halftime Walk"

Five of the best film critics Chicago has to offer from the Chicago Independent Film Critics Circle may have dodged the high frame rate experiment of Ang Lee's "Billy Lynn's Long Halftime Walk," but they still caught the full film. Enjoy the mixed reactions from Leo Brady, Jon Espino, Clint Worthington, Don Shanahan, and Jim Alexander!

MOVIE REVIEW: Nocturnal Animals

The leap for every filmmaker is translating their creative eye to the cinematic medium. Hitchcock’s feverish writing fed his mise-en-scene and attention to detail. Spielberg grew his outdoor sense of adventure to the highest possibilities and beyond. With an eye for the cultured human form and colorful finery, Tom Ford saturates every edge of his films with ornate style. The man is never boring and neither is one iota of “Nocturnal Animals,” Ford’s second feature film and a cage-rattling psychological thriller.

MOVIE REVIEW: Billy Lynn's Long Halftime Walk

There are commendable allegories bottled somewhere inside both Ben Fountain’s 2012 award-winning novel and Ang Lee’s adaptation of “Billy Lynn’s Long Halftime Walk.” However, knowing what we know now about “paid patriotism” since 2015, those morals, and any patriotic pride the fictional story’s grand setting can muster, have lost too much of their high ground to inspire. It is difficult to invest in a reflective film wrestling with disillusionment when too many current audiences already enter with the same feelings about the War on Terror. Disillusionment of disillusionment is a tough sell if the goal is the change minds.

MOVIE REVIEW: Arrival

To reveal more of the emotional and scientific obstacle course would take away from the engrossing experience to be had by “Arrival.” This is the anti-”Independence Day,” so don’t expect a populist romp. Instead, open your mind to a stimulating and provocative mindbender that may require more than one viewing to grasp and appreciate. The trippy events unfolding out of the screenplay tangle the puppeteer’s strings and play with narrative and filmmaking forces few are daring enough, and smart enough, to wield.

SPECIAL: A message from the Chicago Independent Film Critics Circle

The CIFCC was founded on the pillar of diversity. It is a message that resonates in all that we do, both as a group and as critics. In our eyes and through our passion as film lovers and creative individuals, diversity means more than just demographics. Take a watch and a listen to this special trailer and message from the CIFCC, featuring yours truly.

MOVIE REVIEW: Hacksaw Ridge

It should come as no surprise to anyone who has followed the career path of Mel Gibson, either in front or behind the camera, that "Hacksaw Ridge" rings up the descriptor of "excessive" more than any film to date this year. "Hacksaw Ridge" is a war film of excessive violence operatically woven into a biopic screen story of excessive hero worship based on a true story of World War II Congressional Medal of Honor winner Desmond Doss. Both excesses are laid on very thick. Only half of one of them are worth it.

MOVIE REVIEW: Loving

With a minimalist style and unadorned simplicity to reflect on racial intolerance, Jeff Nichols crafts “Loving” as a reminiscence of history without the histrionics. Devoid of soapboxes, speechifying, and manufactured swells of forced emotion seen in far too many historical dramas, “Loving” cuts a different cloth, trading in Hollywood glamor for blue collar truthfulness. Nichols brilliantly lets the honesty and grace of Richard and Mildred Loving stand on their own without an unnecessary pedestal. Cite this film as proof that “tell it like it is” does not require bombastic noise and volume.

EVERY MOVIE HAS A LESSON

by Don Shanahan

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