Suburbicon lazily delivers a caper that lacks cleverness, smarts, and anything edgy other than the spurts of hemoglobin that stain a few starched shirts. Even if it is pitch black by design, the final ingredient of fake sentimentality glazed over the proceedings is ineffective to add any varnish to the acidic angle of white-collar crime. Nonsensical twist follows nonsensical twist for an aimless purpose.
Read MoreFor this writer and website, the films of Joel and Ethan Coen are pegged as acquired tastes. Slot the brothers and their work right next to Quentin Tarantino in that regard. Their creative brilliance and their reverent place in the upper echelon of superb storytellers are indisputable, proven by their six Oscar wins. Sometimes, in the measure of taste, their choices and results are a maddening or confounding mess. When the Coen brothers are on their game, they are white hot. "Hail, Caesar!" won't go down as one of their best, but there is no denying its draw as a thoroughly entertaining hoot.
Read MoreThe 88th Academy Award nominations will be announced tomorrow morning, January 14, 2016, hot off of the weekend's 73rd Golden Globe awards. I've been following the full awards season over on my Awards Tracker page. Using that data as the tea leaves and a truckload of hunches, I'm going to attempt to closely predict the Oscar nominations for the "Big 8" categories for the third year in a row.
Read MoreSewn with care to document an unopened storybook file on little-rememberd, forgotten Cold War heroics and theatrics, "Bridge of Spies" is the kind of historical drama that Steven Spielberg can make in his sleep. In a way, this is Spielberg's throwback answer to "Argo," three years after Ben Affleck's film swept the top Oscars away from Spielberg's own "Lincoln." He doesn't need that one-upmanship for his ego. "Bridge of Spies" is more a reminder that the master is still capable of making a winner with ease.
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