Posts tagged Todd Haynes
MOVIE REVIEW: May December

While ambitious as a ripe tangent in borrowing a real-life scandal, the whole shadowing angle of May December overloads what was excessive enough as off-screen history to begin with. Applying a smattering of unlikely kinks and a confounding third act of insecurity swerves sinks the film. Haynes is left with a mood piece of examining taboo with more taboo. and it gets unattractively lost in just that very vibe.

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MOVIE REVIEW: Wonderstruck

Haynes’ Wonderstruck still evokes true and impassioned power.  The film strides within a sensitive middle ground of approachable and praiseworthy quaintness in addressing difficult youthful challenges and emotions.  The effect is a grown-up experience audiences can, and should, appreciate compared to the mindless popcorn fluff and weightless distractions studio shovel into the PG marketplace.  If a new definition could be created for the term “wonderstruck,” it would read “rapt attention.”

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MOVIE REVIEW: Certain Women

Spareness and simplicity can either be a fountain of nuance and austerity or it can be a vacuum of plainness and lethargy.  Filmmaker Kelly Reichardt is a celebrated torchbearer of the minimalist film movement and her newest feature, “Certain Women,” boast three strong female leads in Laura Dern, Michelle Williams, and Kristen Stewart.  Despite that base of acting forte and the patronage of Todd Haynes as an executive producer, the void outweighs any wellspring.

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COLUMN: Five snubs and five surprises from the 88th Academy Award nominations

As with any year, there are hot topics being debated immediately stemming from snubs and surprises.  Here are my reaction and takeaways, consisting of five snubs and five surprises, coming out of this morning's nominations announcements.

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2016, Column, Editorial, SPECIALDon Shanahan2016, 2015 films, Oscar surprises, Oscar snubs, Oscar nominations, Oscar contenders, Oscar hopefuls, Oscar bait, Oscar Predictions, Oscar winners, Oscars, 88th Oscars, 88th Academy Awards, Academy Awards, Academy Award winner, 2016 Academy Awards, Academy Award, Academy Award nominations, Academy Award nominee, Academy Award nominees, film commentary, movie commentary, Awards Tracker, Awards Talk, Awards Predictions, Best Motion Picture of the Year, Best Picture, The race for Best Picture, Best Actor, Best Actress, Best Actress in a Leading Role, Best Actor in a Leading Role, Best Actress in a Supporting Role, Best Actor in a Supporting Role, Best Supporting Actress, Best Supporting Actor, Best Original Screenplay, Best Director, Best Directing, Don Shanahan, Donald Shanahan, Every Movie Has a Lesson, Minority performers, Michael B. Jordan, Creed, Mark Rylance, Sylvester Stallone, Christian Bale, Tom Hardy, The Revenant, The Big Short, Jacob Tremblay, Room, Benecio del Toro, Sicario, Paul Dano, Love and Mercy, Michael Shannon, 99 Homes, Michael Keaton, Spotlight, Idris Elba, Beasts of No Nation, Inside Out, Anomalisa, Boy and the World, When Marnie Was There, The Good Dinosaur, The Peanuts Movie, Minions, Wiz Khalifa, Charlie Puth, Furious 7, See You Again, Lady Gaga, Quentin Tarantino, The Hateful Eight, Best Original Song, Best Original Score, Alejandro Gonzalez Inarritu, Titanic, Mad Max: Fury Road, Lenny Abrahamson, Todd Haynes, Carol, Ridley Scott, The Martian, Alicia Vikander, The Danish Girl, Ex Machina, Straight Outta Compton, Bridge of Spies, Star Wars: The Force AwakensComment
COLUMN: Predicting the major 88th Academy Award nominations

The 88th Academy Award nominations will be announced tomorrow morning, January 14, 2016, hot off of the weekend's 73rd Golden Globe awards.  I've been following the full awards season over on my Awards Tracker page.  Using that data as the tea leaves and a truckload of hunches, I'm going to attempt to closely predict the Oscar nominations for the "Big 8" categories for the third year in a row.

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2015, 2016, Column, Editorial, SPECIALDon ShanahanBest Picture, The race for Best Picture, Oscar Predictions, Oscar nominations, Oscar contenders, Oscar hopefuls, Oscar bait, 88th Academy Awards, 88th Oscars, Oscars, 2016, 2015, Best Director, Best Actor in a Leading Role, Best Actor, Best Actress in a Supporting Role, Best Actress in a Leading Role, Best Supporting Actor, Best Supporting Actress, Best Original Screenplay, Best Adapted Screenplay, Big 8, Oscar snubs, Oscar surprises, Spotlight, Mad Max: Fury Road, The Revenant, The Big Short, Carol, Room, Brooklyn, The Martian, Bridge of Spies, Creed, Inside Out, Son of Saul, Straight Outta Compton, Star Wars: The Force Awakens, George Miller, Tom McCarthy, Todd Haynes, Alejandro Gonzalez Inarritu, Ridley Scott, Adam McKay, Steven Spielberg, Quentin Tarantino, Ryan Coogler, Leonardo DiCaprio, Michael Fassbender, Steve Jobs, Eddie Redmayne, The Danish Girl, Matt Damon, Bryan Cranston, Trumbo, Johnny Depp, Black Mass, Michael B. Jordan, Michael Keaton, Brie Larson, Saoirse Ronan, Cate Blanchett, Charlotte Rampling, 45 Years, Jennifer Lawrence, Joy, Charlize Theron, Sarah Silverman, I Smile Back, Helen Mirren, Emily Blunt, Sicario, Sylvester Stallone, Mark Rylance, Michael Shannon, 99 Homes, Paul Dano, Love and Mercy, Jacob Tremblay, Benecio del Toro, Mark Ruffalo, Steve Carell, Christian Bale, Idris Elba, Beasts of No Nation, Alicia Vikander, Ex Machina, Alex Garland, Rooney Mara, Kate Winslet, Jennifer Jason Leigh, Kristen Stewart, Clouds of Sils Maria, Rachel McAdams, Josh Singer, Pete Docter, Meg LaFauvre, Josh Cooley, Oren Movermann, Michael Alan Lerner, Matt Charman, Ethan Coen, Joel and Ethan Coen, Joel CoenComment
MOVIE REVIEW: Carol

51st Chicago International Film Festival OUT-Look Special Presentation

"Carol," among many other superlatives, is a film completely driven by the weight of reason and accountability within its female lead characters.  Played by Oscar winner Cate Blanchett and Oscar nominee Rooney Mara, we witness two women formulating the capacity to reason with the undeniable truths they find in their hearts while understanding the ramifications and accountability acting on those feelings would result in as women of the pre-feminist 1950s.  "Carol" is a fascinating and empowering love story, no matter what label you associate for your identity or disposition.

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