MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on July 8, 2019

THIS WEEK’S QUESTION: What is the best ever horror performance and how did it leverage the genre to accomplish something that might not have been possible in a more grounded type of film?

Horror is not my cup of tea, coffee, cocktail, or even water, and I didn’t see Midsommar which inspired this week’s survey question, but I have dipped my toe in enough good and classic horror to pick out a great performance or two. I’ve seen no one unravel under the fictional stresses better than Mia Farrow in Roman Polanski’s Rosemary’s Baby.

Independent Film, Media Appearance, Social Media, SPECIAL, 2019Don ShanahanJuly 8, 2019David EhrlichComment

DOCUMENTARY REVIEW: Bethany Hamilton: Unstoppable

The light produced by this documentary matches the inspirational shine of the subject herself. Bethany Hamilton: Unstoppable is an admirable and impressive chronicle of its sunlit sporting world of “calculated chaos.” Over and over, with every step she takes forward as a woman and as a competitor, Bethany Hamilton remains undefined by the famous shark attack incident that claimed her left arm. Instead, her actions and stature make her the pillar very worth celebrating.

MOVIE REVIEW: Wild Rose

Tattooed on the right forearm of Jessie Buckley’s Rose-Lynn Harlan character from Tom Harper’s Wild Rose is the phrase “three chords and the truth.” It is an homage (and clear naming inspiration) to the quintessential description and motto of country music coined by 1950s era songwriter Harlan Howard. In spite of that mainstream majority, we’ve got a girl from Glasgow, Scotland behind bars with those historic words permanently etched into her skin. Foreign soil be damned, the honesty and harmony of hardscrabble is alive and well in Wild Rose. Shouts of anger and tirades of tears fuel the fights and the vocals churning from Jessie Buckley in what will stand as one of the finest performances of the year.

CAPSULE REVIEWS: Feature films of the first ever Rom Com Fest

Founded by entrepreneur and romantic comedy connoisseur Miraya Berke, the goal is celebrating the joy to be had and the art on display in this undervalued film genre. I think this is a smashing idea for a festival and I jumped at the chance to offer some remote coverage for its five-film competition slate. Compiled below are my capsule reviews for the movies I viewed in order from highest to lowest recommendation:

MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on June 25, 2019

THIS WEEK'S QUESTION: With 2019 almost half-over, what is the best movie performance of the year so far?

With June soon swooning to July, critics will start making their halfway and “so far” lists of films and performances. David Ehrlich put performances on the table to measure for this week’s survey and an outstanding list was built. I love the selection of Lupita Nyong’o from Us. She would be my 1A choice, but I was wowed this weekend by Ann Lupo in a little movie call In Reality which just won the top award of the debut Rom Com Fest in Los Angeles. Give this week’s survey a look.

Independent Film, Media Appearance, Social Media, SPECIAL, 2019Don ShanahanJune 24, 2019David EhrlichComment

MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on June 18, 2019

THIS WEEK'S QUESTION: Best animation studio. Ghibli or Pixar. Pick one and only one and why.

Full disclosure: I’ve never seen a Studio Ghibli film, but I know their reputation and impact. I know what they stand for and how much they have inspired other creators, including the fine folks at Pixar. With Pixar settling too often for sequels lately (and this was before Toy Story 4), I feel like a small measure of their quality and importance has faded or shrunk a little. I voted on principle in the blind to what I felt was more important.

Independent Film, Media Appearance, Social Media, SPECIAL, 2019Don ShanahanJune 21, 2019David EhrlichComment

MOVIE REVIEW: Starfish

The opening credits of Starfish may drop the “based on a true story” prompt, but every moment of this twisty science fiction slow boiler feels like the filmed account of a racing mind. Rather than dwelling on footholds to societal norms, isolation reigns here, with all of the flutters, visions, shifts, daydreams, and nightmares possible. Dangling the mysteries of the fallout from an off-screen cataclysmic event, the mental maelstrom of Starfish is eerie, imaginative, and highly impactful.

2018, 2019, 4 STARS, Independent Film, MOVIE REVIEW, Video on DemandDon ShanahanJune 11, 2019 Comments

MOVIE REVIEW: Plus One

Here in June, our 2019 calendar has reached the peak of the annual wedding season. Some love it. Some hate it. Some are even participating. No matter where you sit, it’s a roller coaster for all ages. The traditions of nuptials and romantic comedies are keenly and boisterously observed and challenged by Plus One, the feature film debut of the writing and directing team of Jeff Chan and Andrew Rhymer that premiered at this year’s Tribeca Film Festival. Every moment to cringe and every moment to cherish swirl together with very appealing zest. Plus One plays locally in the Chicagoland area exclusively at the AMC Barrington 24 location starting on June 14th.

MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on June 10, 2019

THIS WEEK'S QUESTION: What is the best movie ever about TV?

This week’s pick for me was an instant no-brainer. Sidney Lumet’s masterpiece satire has evolved from being a sarcastic time capsule to a modern-day cautionary tale we’re nearly living. I do have to love these other picks included this week and I most especially need to clear out that blind spot for Broadcast News. Summer break can’t get her soon enough.

Independent Film, Media Appearance, Social Media, SPECIAL, 2019Don ShanahanJune 11, 2019David EhrlichComment

SHORT FILM REVIEW: How Does It Start

In the provocative short film How Does it Start, a young teen girl in 1983 named Rain, played by Lola Wayne Villa, has been introduced to topic of sex without such positive elder counsel. The wheels have turned. The curiosities have sparked. The peers have stoked the fire. The triggers have all gone off and this girl wants the mystery of what has been made out to be so taboo and important to growing up as a real woman.

Independent Film, SHORT FILMS, 2019, 4 STARS, MOVIE REVIEW, Video on DemandDon ShanahanJune 9, 2019Comment

MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on June 3, 2019

THIS WEEK'S QUESTION: What is the best movie cameo ever?

Keanu Reeves just got done dropping jaws and metaphysical truths in Netflix’s Always Be My Maybe this past weekend. It got David Ehrlich to wonder was was the best cameo ever. I was heartset on Alec Baldwin from Glengarry Glen Ross, but he’s technically a billed member of the cast. After that, it came down to Tom Cruise in Tropic Thunder or Christopher Walken in Pulp Fiction. You can read my pick and criteria below from the survey article. Many great picks from the other critics boost the list!

Independent Film, Media Appearance, Social Media, SPECIAL, 2019Don ShanahanJune 3, 2019David EhrlichComment

MOVIE REVIEW: Always Be My Maybe

Far rarer than they used to be twenty-plus years ago, easy and breezy flicks like Always Be My Maybe from Netflix remind us the traditional romantic comedy is alive and well. Best of all, the nostalgia present in today’s artists from growing up during that 1990s heyday are now making their own movies with their own lens. Smash hit stand-up comedienne Ali Wong and the ever-affable Randall Park of Fresh Off the Boat fame are clearly two of those people. Affectionately blending their own societal zest from their place in America’s Melting Pot, Wong and Park bring new voices as a genius comic pairing. Much of the method of Always Be My Maybe may be routine, but the resulting charm is unfailingly welcome.