Posts in Independent Film
MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on May 28, 2019

THIS WEEK'S QUESTION: What is the worst movie ever and why?

Not too many critics are taking too kindly to Disney re-imagined Aladdin. I see the appeal, but it’s far from a great remake. That said, it’s far from the worst too. By golly, have there been some stinkers. This week’s IndieWire critics survey from David Ehrlich polled for the ugliest of the ugly and got ten selections. For the second survey in a row, I went to the 1990s, this time for Gus Van Sant’’s reviled Psycho remake. Misguided isn’t even the beginning of it. Any other choice here was going to be a distant second for me.

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CAPSULE REVIEWS: Feature films of the 7th Chicago Critics Film Festival

The 7th Chicago Critics Film Festival began May 17th at the famed and restored Music Box Theatre.  Steaming towards a decade in successful existence, the CCFF remains the only film festival in the country curated by film critics. For the third year in a row, Every Movie Has a Lesson will be credentialed to cover this fine spread of movie offerings.  Ranked in order of recommendation, here are my capsule reviews. Full pieces coming later when the respective films have their proper release:

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MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on May 13, 2019

THIS WEEK'S QUESTION: What is the best Keanu Reeves performance and how does it speak to his unique persona?

With the third John Wick film dropping this week, the question was an easy softball matching the film’s star. Keanu Reeves has had one interesting and steady career. The peaks are far spaced between his breakout with Bill & Ted’s Excellent Adventure, Speed, The Matrix, and John Wick, but he’s as steady as they come. I went with the dark and seedy stuff that made him break his deadpan persona for my survey pick. Second place would have been the little-seen The Watcher where Reeves plays an enigmatic serial killer.

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SPECIAL: Previewing the 7th Chicago Critics Film Festival

For the seventh consecutive year, many of the best domestic and international films on the festival circuit come to Chicago thanks to the Chicago Film Critics Association. The 7th Chicago Critics Film Festival opens May 17th at the famed and restored Music Box Theatre in the northside Lakeview neighborhood. Steaming towards a decade in successful existence, the CCFF remains the only film festival curated by film critics in the nation. This year, 25 feature films and two short film programs comprise their rich and ambitious offering slate

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MOVIE REVIEW: Clara

Citing genuine and actionable science, Clara builds heady inquiry for the voluminous and important research of its depicted discipline. Its sense of intelligence intertwines with the unpredictability found in the amorous reverberations of the human heart. This combination creates an intimate and daring film experience that enraptures as easily and as powerfully as it fascinates.

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MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on April 29, 2019

THIS WEEK'S QUESTION: What major filmmaker should try their hand at television?

Full admission, I don’t little to zero current TV. I’m a long-time cord-cutter and I’ll occasionally binge a show with my wife on Hulu or Netflix. Still, the list of buzz-worthy shows I haven’t seen during this 21st century evolution of the medium that keep water coolers thriving is ridiculously long. However, my eye for the movies can pick out a good creative mind. A little research on Google revealed many prime director names who’ve had their moonlighting projects on television, much to my surprise. After a few nominees, I found my stylish pick.

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DOCUMENTARY REVIEW: Penguins

Penguins represents the combined work of over a dozen cinematographers documenting the miraculous and treacherous annual life cycle of the Adelie penguins of Antarctica. The two directors sought to give this circle of life character. That’s where the affable Ed Helms comes in as a narrator. He provides color commentary as “Steve,” one such Adelie penguin who is a first-time father for this annual journey. High and low, dry and wet, close and far, and through every blizzard in between, Penguins presents this apprehensive newbie with education and entertainment combined together.

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SHORT FILM REVIEW: Trained

The opening scene of filmmaker Yuri Rutman’s spare yet sizzling short film tantalizingly begs many questions. What kind of couple are we witnessing? What triggers provoke this passion? A montage follows to show that this wild escapade is not the first time the hearts and loins of these two people have been electrified around the rails of public transportation. This is Jake and Emma, and they are tragically intoxicated by two different things at the expense of each other.

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MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on April 22, 2019

THIS WEEK'S QUESTION: How do you think the legacy of the Marvel Cinematic Universe will impact the movie world?

Boy, this was a rough survey collection. The majority of participants this week have more negative responses and rationales than positive ones when it comes to talking about the lasting impact of the MCU. I’m unashamed and proud to try and be one of the more positive replies. Is it part of a big corporate greed monster? Maybe, but I cannot deny how it’s become a huge and influential success.

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MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on April 15, 2019

THIS WEEK'S QUESTION: What’s the most beautifully animated film ever made?

Much to my surprise, I was the only participating critic in this week’s survey to cite a Disney movie, and a classic one at that. As you’ll read in my contribution, I can’t get over the depth from the backdrops in Sleeping Beauty. I do love that Loving Vincent inclusion. That very much in the running for this vote.

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MOVIE REVIEW: Stuck

Yet, like the truthful insides of any gathering of unknowns, there’s more to Stuck than a mere interval of happenstance, and the swelling urban musical that rises from its collective lungs elevates that fact. The spoken and sung revelations of each character’s plight create a clashing cross-sectional dip into America’s Melting Pot. These poignant emotions fuel biting social commentary in a way few films, big or small budget and musical or otherwise, have ever succeeded.

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MOVIE REVIEW: Mary Magdalene

This film’s slightness is meant to simplify proceedings to their truest essence. Mary Magdalene contains the bare minimum of theatrics. The result may be painstakingly slow at times, but its grounded firmness is precisely its beauty. There is a calmly effective empathetic power to that method and approach. The specifying or sermonizing is scant and still stoic. The poignancy is pitched and still powerful. The grace is consoling and still genuine. All of that is mightily impressive.

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