EVERY MOVIE HAS A LESSON

THIS WEEK'S QUESTION: Which director are you most excited about watching in the next decade, and why are you excited for the potential of their future work?

Boy, it was hard to choose only one. From Damien Chazelle and Barry Jenkins to Denis Villeneuve and Christopher Nolan, we’ve seen so much maturation and growth from so many creative sources. However, I think it’s high time a woman to emerge to that next level. In just two films, the potential of Greta Gerwig is huge and only beginning.

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THIS WEEK’S QUESTION: What movie defined the decade, and why?

Yowzers! Talk about a big question with a zillion angles. I know the interpretation of “defined” was open, but when I think of the 2010s, the boom of social media is too large to ignore. David Fincher’s The Social Network, while semi-historical before this decade, still feels like the lightening rod and torch bearer for this decade. If it wasn’t this, it was going to be The Avengers and what it did for its genre and the whole industry.

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THIS WEEK'S QUESTION: What streaming platforms do you currently subscribe to, and why?

This was nice and informative question this week and I was glad to brag on finding free things. Folks, let me tell you the power of a regular library card. You can’t beat FREE. Look locally if your library or library system supports the Hoopla Digital and Kanopy streaming services. The wealth of content available is outstanding for something that doesn’t cost you a dime. If you’re a frugal working dad and cord-cutter like me, I cannot recommend them enough. I was the one person this week namedropping Hoopla and one of only three touting Kanopy. Seek them out.

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THIS WEEK'S QUESTION: What is the best 21st Century movie about capitalism and class anxiety?

I gotta say, this topic was much tamer and quite the switch from the dangerous inquiry last week. Every generation and decade has their bumper crop of movies about our American capitalizm. In my lifetime, I point to Wall Street in the 80s and Boiler Room in the 90s. For this century, I went sentimental more than combative. The Big Short was a tempting second place choice.

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THIS WEEK'S QUESTION: What is the most “dangerous” movie of this century?

I’m not a believer that movies can incite violence, but I am a big believer that they can incite stupidity. Just like the poor fitness and health that comes from when all you eat is garbage, a mind can be trashed the same way. I put the school teacher hat on for my response to this week’s survey question and I don’t care if I get laughed at. Danger to me is seeing the youth of America in my classrooms accepting the Minions as high quality entertainment worth their screen time.

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THIS WEEK'S QUESTION: What is the best biopic performance of all-time?

After a month off to accomodate the heart of festival season for David Ehrlich, the IndieWire Critics Survey returned this week to point at Renee Zellweger’s raved performance in Judy. The question was posed of what is the best biopic performance of all-time. A year ago, the question of the best biopic movie has been done on this survey (where I picked Raging Bull). For single performance, I went more musical.

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THIS WEEK'S QUESTION: What is the best movie of this summer?

To end the month, David Ehrlich went for the season-ending trophy designation. He called upon us writers, podcasters, and more to tell us which film was the best of the summer. Personally, I think it was a substandard and lemon-filled summer comapred to years past. Redemption came in the form is several late-breaking exemplars that landed in July and early August. I repped one of those little guys as my pick for this week.

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THIS WEEK'S QUESTION: What is the best performance in a Richard Linklater movie?

After a small pause in early August, the IndieWire Critics Survey returned in time for the the release of Where’d You Go, Bernadette from renowned Texas filmmaker Richard Linklater. I count as a very positive fan of his work with the Before Trilogy and Boyhood on the drama side and Everybody Wants Some!! and School of Rock on the comedy end. When it comes to the best, I pick the biggest transformation of range that came from Jack Black in Bernie. What a stunner of a character shift from an actor compared to his usual.

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THIS WEEK'S QUESTION: What is the best Quentin Tarantino movie and why?

Friends and followers of my work and opinions on social media know that I differentiate “favorite” from “best.” Favorites are personal and very subjective. The things that are best tend to have a few more objective qualities and victories going for them. Sometimes a movie is both. For Quentin Tarantino, that’s not the case for me, but it’s close. My personal favorite is Jackie Brown. I love seeing what QT does within the boundaries of material that’s not his own, which, for me, shows more range that his absolute best self-made stuff. The best-of-the-best, though, is still an easy pick.

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THIS WEEK’S QUESTION: What is the best ever horror performance and how did it leverage the genre to accomplish something that might not have been possible in a more grounded type of film?

Horror is not my cup of tea, coffee, cocktail, or even water, and I didn’t see Midsommar which inspired this week’s survey question, but I have dipped my toe in enough good and classic horror to pick out a great performance or two. I’ve seen no one unravel under the fictional stresses better than Mia Farrow in Roman Polanski’s Rosemary’s Baby.

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THIS WEEK’S QUESTION: What is the best ever horror performance and how did it leverage the genre to accomplish something that might not have been possible in a more grounded type of film?

Horror is not my cup of tea, coffee, cocktail, or even water, and I didn’t see Midsommar which inspired this week’s survey question, but I have dipped my toe in enough good and classic horror to pick out a great performance or two. I’ve seen no one unravel under the fictional stresses better than Mia Farrow in Roman Polanski’s Rosemary’s Baby.

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THIS WEEK'S QUESTION: With 2019 almost half-over, what is the best movie performance of the year so far?

With June soon swooning to July, critics will start making their halfway and “so far” lists of films and performances. David Ehrlich put performances on the table to measure for this week’s survey and an outstanding list was built. I love the selection of Lupita Nyong’o from Us. She would be my 1A choice, but I was wowed this weekend by Ann Lupo in a little movie call In Reality which just won the top award of the debut Rom Com Fest in Los Angeles. Give this week’s survey a look.

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