The transitive verb “beguile,” as defined by the Merriam-Webster Dictionary, means “to engage the interest of” or “lead by deception.” Hoodwink and divert are synonyms. Director Sofia Coppola’s remake of The Beguiled means to charm our corsets and britches off right in line with its title’s root definition. Methodically and dastardly, the film wishes to seduce us with a heightened intrigue of challenged sexual repression.
Read MoreBill Condon’s “Beauty and the Beast” stands firmly on its own merit. True to Disney’s recent trajectory, its goal is to “reimagine” a previous animated classic into the live-action medium for a new era and audience. Unlike the recent treatments of "Cinderella" and "Malificent," this "Beauty and the Beast" stays a full-blown musical. Imitation, emulation, and homage are all part of that process, but so is reappraisal and reinterpretation. Those later two actions are what drive this new fantasy film to soaring and successful heights.
Read MoreThe success of a remake, reboot, or sequel is contingent upon matching the tone of the original work to the best of its ability. If a film gets that tone right, it can be a drastic revision full of changes and updates and still feel respectfully aware and in tune with the previous well-remembered greatness the new film is trying to emulate. I stand by that rationale and now bring that gauge to “Ghostbusters” and the wave of misguided hatred that follows it. I say misguided because the overprotective nostalgia and/or sexist gender complaints are false sources of this film’s problems.
Read MoreTo this writer, the success of a remake, reboot, or sequel is contingent upon matching the tone of the original work to the best of its ability. If a film gets that tone right, it can be a drastic revision full of changes and updates and still feel respectfully aware and in tune with the previous well-remembered greatness the new film is trying to emulate. That's the taste test that should be put on "Vacation," the new long distance sequel/update of the 1983 National Lampoon comedy classic.
Read MoreAs flashy as it is with tremendous and eye-popping special effects, "Terminator: Genisys" has created an extremely convoluted mess of merged timelines and revisionist storytelling that treads all over what made the 1984 original and superior 1991 sequel so great. This is more of an attempt of retcon than of homage. Even if you find yourself entertained by the return of Arnold Schwarzenegger to his signature franchise, you may be asking, maybe even screaming in outrage, why this revision exercise was even necessary.
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