Posts tagged Kirsten Dunst
MOVIE REVIEW: Civil War

No one wins in a civil war. Apathy exists and wins instead through a constant mood of nearly callous disillusionment. On the other hand, if you don’t need the spoon-feeding and welcome your own search for the rational or irrational that could be dirty or delicate at any moment, Civil War may be the ideal type of havoc to dissect. 

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MOVIE CLASSROOM: The Beguiled

Sofia Coppola's film may have been lauded at the Cannes Film Festival, but The Beguiled was a bit of a miss for me, despite its rich aesthetics.  Here my full review, complete with new intro music and title card, and watch an interactive whiteboard lesson of notes and fun created by the ShowMe app for iPad over on my YouTube channel and "Movie Classroom" series.

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MEDIA APPEARANCE: Guest on "Feelin' It" quick take on "The Beguiled"

Feelin' Film host Aaron White and I hashed out our thoughts on Sofia Coppola's The Beguiled, debuting this weekend in theaters after wowing the Cannes Film Festival last month.  It hit Aaron more than it hit me, but this counts as a wickedly entertaining remake from Coppola. We try to inform you so you can decide whether this seductively complex, yet simple, film is one for you.

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MOVIE REVIEW: The Beguiled

The transitive verb “beguile,” as defined by the Merriam-Webster Dictionary, means “to engage the interest of” or “lead by deception.”  Hoodwink and divert are synonyms.  Director Sofia Coppola’s remake of The Beguiled means to charm our corsets and britches off right in line with its title’s root definition.  Methodically and dastardly, the film wishes to seduce us with a heightened intrigue of challenged sexual repression.

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MOVIE REVIEW: Hidden Figures

With a family-friendly PG rating, “Hidden Figures” becomes an instant must-see film for both classrooms and living rooms.  Boy or girl, man or woman, black or white, any audience member who has ever marveled at the Space Age of our national history will find much to love in Theodore Melfi’s follow-up to “St. Vincent” adapted from Margot Lee Shetterly’s nonfiction book.

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MOVIE REVIEW: Midnight Special

In the Merriam-Webster Dictionary, the adjective form of "special" can be defined as "held in particular esteem" and "readily distinguishable from others in the same category."  For a film to earn that distinction it has to do more than have the word in its title, as is the case with the Jeff Nichols film "Midnight Special."  It has to possess exemplary qualities to revere that enable it to stand out from its peers.  As one of the most striking, imposing, and spell-binding original science fiction films in recent memory, "special" is fitting trademark for "Midnight Special."

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