Posts in 2017
OSCAR PREDICTIONS 2018: The music and sound categories

Throughout the awards season, I’ve been tallying the minor and lead-up award winners in all of the Oscar categories on the 2018 Awards Tracker as a big source of my prognostication data. In this first post, we look at the musical and sound categories that include the original score, original song, sound editing, and sound mixing.

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MOVIE REVIEW: Rogers Park

Constantly bucking stereotypes made about the perceived flaws of the Second City, the progressive and affluent enclave of Rogers Park statistically contains the highest level of racial diversity in Chicago.  It is as great a place as any in the urban metropolis to tell a blended story of the hardened hearts within hard-working people.  A blanketing sunrise over the freshwater surf of that aforementioned Great Lakes welcomes viewers to Rogers Park.

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MOVIE REVIEW: November

Some films that cross our eyes are an exercise of the art form.  They trade tidy entertainment for a celebration of craft.  There are clear pluses and minuses to such an undertaking.  Stripping away conventions left and right to make something wholly unique and downright peculiar, November was Estonia’s 2017 entry for the Best Foreign Language Film Academy Award.  The experimental foreign film brims with allegory and is strikingly shot.  However, the film’s compelling qualities never seem to match its obscene effort towards the art

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MEDIA APPEARANCE: Guest on the"Page 2 Screen" podcast reviewing the 2018 Oscar-nominated shorts

Together at The Century Bar of the Landmark Century Centre Cinema, fellow CIFCC critic Jeff York and I critiqued the ten short films nominated for the 90th Academy Awards for Best Live Action Short Film and Best Animated Short on the "Page 2 Screen" bost on the International Screenwriters' Association network.  Both categories of contenders boasted impressive range and buried treasure.  Enjoy our reviews and discussion!

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MOVIE REVIEW: A Fantastic Woman

Audiences will need to go beyond “brave” to describe and complement the shattering performance of Daniela Vega starring in A Fantastic Woman.  Searing the screen with moments of serenading song and ever-present fortitude, the openly transgender Chilean actress and model seethes with uncommon determination.  Saying “good for her” is not enough praise.    

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REVIEW COLLECTION: The Oscar nominees for Best Animated Short Film

Here are my collected reviews for the Oscar nominees for Best Animated Short Film.  Listed in order of rating and true to my website’s hook, each review includes a life lesson takeaway.  A collected program of these films is available from various theater chains, including the Landmark Cinemas locations here in Chicago, starting on February 9th.  In 90 minutes-and-change, you get five exceptional works for one ticket.  Calling all Oscar completists!

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SPECIAL: Winners of the second annual CIFCC Awards!

The 26 film critics, myself included, and voting members of the Chicago Independent Film Critics Circle completed their final ballots in 21 categories for their second annual CIFCC Awards. Leading all films with four awards is Get Out from Universal Pictures and Blumhouse Productions, including three awards for Jordan Peele and his many hats.  A24 and Focus Feature’s Lady Bird from director Greta Gerwig follows with three wins, including Best Independent Film.

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MOVIE REVIEW: Hostiles

Scoot Cooper’s grizzled western Hostiles opens with a quote from novelist D.H. Lawrence that reads: "The essential American soul is hard, isolate, stoic, and a killer.  It has never yet melted.” Those four adjectives and labels assigned by the English writer ring true for the late 19th century historical era he observed and also for the film itself you will watch.  Each of those traits are embedded within Cooper’s difficult and impressive film.

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COLUMN: The 10 Best Films of 2017

The end of the year brings grading and reflection points for both the school teacher in me and the film critic.  Looking at the online Trapper Keeper portfolio called Every Movie has a Lesson, I published 126 full film reviews in 2017, topping last year’s 114 and setting a new high mark.  Here’s my definitive list of the "10 Best" films of 2017.  True to this website’s specialty, each film will be paired with its best life lesson.  Enjoy!

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MOVIE REVIEW: I, Tonya

For anyone who thinks Suicide Squad star and The Wolf of Wall Street vamp Margot Robbie is just a hot bod and a pretty face, watch I, Tonya.  The 27-year-old Aussie’s ferocious and zealous performance riding the peaks and valleys of disgraced former champion figure skater Tonya Harding will erase those old notions centered solely on attractiveness.  Brimming with depravity and teaming with talent, I, Tonya may be the brashest film you will see seen this year

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MOVIE REVIEW: Call Me By Your Name

No matter the charm and beauty, what can be questioned is the connection.  Circle all of the emotionality back to the opening essential questions.  Your tolerance is the key to connecting to Call Me By Your Name.  Your comfort level for the homoerotic summer romance being woven and your acceptance of the controversial age difference within this narrative are everything.  Either of those two qualities could be easily ignored obstacles for some or a no-go hang-ups for others

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MOVIE REVIEW: Phantom Thread

Phantom Thread is a exquisite film of elevated aesthetics that drape over a scintillating story of tumultuous potential discord.  There is infinite richness within the despair, spun by Daniel Day-Lewis re-teaming with his There Will Be Blood director Paul Thomas Anderson, as the fictional 1950s tailor of status.  Mundane in some moments and mysterious in others, the sum of the literal and figurative details within the stitches and seams of this film make it one of the year’s best.

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