For their 83rd episode, two swanky film critics, simulated dads, and buttoned-up school teachersWill Johnson and Don Shanahan welcome back guest Cati Glidewell of The Blonde in Front. To avoid spoilers, Will moderated for Cati and Don to gush about the mystery and style of Don't Worry Darling and an intro to talk about all the odd gossip and bad press that follows Olivia Wilde's movie.
Read MoreThe newly-formed Rotten Tomatoes alternative Banana Meter has been gathering talented critics and hoping to make a social media splash. They’ve been timely and spirited with highlighting their members and getting their reviews out there. One of these frequent features is a collection of “First Reactions” for big new releases. If I can get my work done early enough, I have the chance of my work and grade being selected for one of those hot-off-the-press features. It’s an honor to join friends and peers for such an inclusion. Here’s my highlight from Don’t Worry Darling.
Read MoreUpon being accepted into the Hollywood Critics Association, their fine site-runners and admins assemble “Gradebooks” collecting early reviews and grades from their critics on popular releases. When I can get more work completed and a review submitted early enough, my take and connected quotes have the chance to make these shout-out posts. My newest was being included for Don’t Worry Darling playing now in theaters.
Read MoreNow, the varnish swirls with the dreamy deja vu vibes that are all over that old standard. In many ways, those two main verses of “Where or When” tell you all you need to know about the encroaching mystery to come. By the time Don’t Worry Darling calls back to “Where or When” again during its kaleidoscopic end credits, a smoky aftermath is exhaled from the intoxicating effects of the song and the film.
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