Posts in ADVANCE MOVIE REVIEW
MOVIE: The Wind and the Reckoning

One of the most appreciable traits about movies is their ability to give faces and voices to human history across a myriad of cultures and time periods. If you ask them, astute film viewers will lose count how many “based on” or “inspired by” movies about true stories have instigated wider and deeper educational dives to learn more. The Wind and the Reckoning joins that honorable tradition and, even greater than faces and voices, it gives its depicted history a literal and figurative fighting chance.

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MOVIE REVIEW: What's Love Got to Do With It?

When the larger societal issues of Britain’s social politics towards POC creep in, the hurdles, so to speak, get even higher. To Shekhar Kapur’s great credit and shared with producer and debuting screenwriter Jemimia Khan, those inclusions are honest more than heavy-handed. More than anything, What’s Love Got to Do With It puts a strong emphasis on family honor and its aforementioned different speed of romantic finality. Those nuclei become natural and not forced on a journey where the wallup and flourish surprisingly arrive in two different places.

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MOVIE REVIEW: Guardians of the Galaxy Vol. 3

When it comes to coolness, Guardians of the Galaxy Vol. 3 is an air conditioner of a blockbuster movie. Its comic book movie breeze is crisp and non-stop, making any hot room feel stupendous. The compressors are chugging on full blast and the thermostat is set low for maximum chill. But, like any air conditioner, you can run that machine too long. It’ll churn, rattle, need a filter or two, frost up, run out of refrigerant, or overdo the coolness for the room.

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MOVIE REVIEW: Tetris

Early on in Tetris, Taron Egerton’s main character Henk Rogers shares an admission with his furious boss about why he put himself into greater financial debt to back an unknown video game from The Soviet Union he stumbled upon at a consumer electronics show in Las Vegas. Leaning over and speaking low with clear eyes relaying bewilderment, he talks about seeing those soon-to-be iconic blocks still falling in his dreams hours and days after playing the game. Memories fill Tetris viewers, and they immediately picture the exact same thing.

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MOVIE REVIEW: Creed III

With confidence and integrity, Creed III has been created with outright strategy. This third entry has timed its moment to show that it has reached a maturation point to continue forward without Sylvester Stallone. Making his feature debut as a director, franchise star Michael B. Jordan represents and demonstrates a new level of command and authority. Moreover, rather than re-assembling and relying on more family trees, Creed III finds a very penetrating and personal singular focus for its choice of ominous opposition.

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MOVIE REVIEW: Ant-Man and the Wasp: Quantumania

So far, so good, right? Staying local and rooted in family dynamics would make for an ideal Ant-Man movie and an escalator out of the grief management arcs of Phase 4, no? Wrong. Unfortunately, with a cinematic universe spiraling in a zillion rudderless directions of multiverse lunacy, the Marvel machine will not stand for that. Enlisting awards show and Rick and Morty writer Jeff Loveness (bask in that pedigree), Ant-Man and the Wasp: Quantumania reaches so poorly with attempted relevancy. 

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MOVIE REVIEW: A Man Called Otto

Yet, we forget about Tom Hanks, “America’s Accomplished Actor.” We forget the two-time Oscar winner wears that very shiny sash as well. When committed, and it’s hard to cite a movie or role where he isn’t, he can convince us of any emotion, behavior, portrayal, or story arc. Hanks pulls off that kind of magic with A Man Called Otto for Finding Neverland and World War Z director Marc Foster. We root for the charmer, even when we know the charmer is there inside of something repulsive.

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MOVIE REVIEW: Puss in Boots: The Last Wish

To quote the well-worn expression used in many frank judgments of character, “I didn’t think he had it in him.” Be ready to color yourself surprised. Thanks to heightened stakes and those aforementioned honest themes, Puss in Boots: The Last Wish gallups beyond the flashy shell of a cash grab sequel opportunity for Dreamworks Animation. This valuable new journey massages and improves the mettle of this excellent character without losing a whisker of derring-do.

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MOVIE REVIEW: Babylon

The audience’s constitution will be the deciding factor on Babylon’s wide gamut of pungent engagement and raging spectacle. This juxtaposition of the carefree and zany with the dirty and dark underneath can very easily be too much. Any twinkling enchantment is met with bracing hardness. Any gleaming art is met with harsh repulsiveness. Extend this blaring back-and-forth of lift and defeat for over three hours, and Babylon can be as exhausting and unfocused as it is impressive. Good luck coming down from that high or out of that fog.

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MOVIE REVIEW: Glass Onion: A Knives Out Mystery

Luckily, as aforementioned, the sleuth takes it from there and he’s a hoot. With every “fiddlesticks” and “hell’s bells” exasperation, Daniel Craig and his slim cravats flip everything about Glass Onion for a loop every chance he gets. As if playing James Bond for a generation wasn’t iconic enough, the 54-year-old Brit has carved out another signature role we cannot get enough of that will define his career. Savoring this charm with the right cases and opposing actors to work against, he and Rian Johnson can rotate this party for decades without wearing out either of their welcomes.

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MOVIE REVIEW: Devotion

Without question, Devotion is still a movie that paints its own brushstrokes of history and fills in cracks for engagement. The real story, especially in a case like this, will always be larger than the movie. Look no further than the official citation that accompanied Jesse Brown’s awarding of the Distinguished Flying Cross. In different hands, Devotion would be a Michael Bay fireworks show of grandiose noise. Director J.D. Dillard proves a story of proper hero worship can reach rousing and patriotic heights without screaming to high heaven. Once again, look no further than that perfect title and what it stands for in all its places.

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MOVIE REVIEW: The Fabelmans

Extending its fervent love of filmmaking, The Fabelmans begs the question of how magicians find their magic. It assuredly posits that the answer will be a humble origin born from the nuclear home, especially for the most commercially successful movie director of all-time. Through this very personal film, director Steven Spielberg puts his pants on one leg at a time like everyone else to show how one legendary magician remembers and treasures their own story. Since it is Spielberg after all, permission was granted to go ahead and tell that tale with a little magic of its own.

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