MOVIE REVIEW: Black Panther: Wakanda Forever

Viewers and fans will contemplate whether Black Panther: Wakanda Forever was the best Ryan Coogler and company could have done with their tragic circumstances. They will wonder if this pivot and royal escalation was the right approach. At some point, all of those questions (and others) have dual contexts between what they mean on-screen and off. Those questions also do not have a universal best, right, or perfect answer. For better or worse, we are now past “must” and the show emphatically goes on.

MOVIE REVIEW: Armageddon Time

The merit of this story of formative failure can only be truly assessed by whether this teenage proxy of the filmmaker himself turned out alright after the credits roll and history continued forward. One can learn by failure only if they learn. Like the main character, the submission of the movie itself does not put forth enough fight for earned growth. If Armageddon Time is the sum total of James Gray’s regret, then it is a weak indictment that comes off little better than someone saying “I had a Black friend once.”

2022, 2 STARS, ADVANCE MOVIE REVIEW, Independent Film, MOVIE REVIEWDon ShanahanNovember 4, 2022Armageddon TimeComment

MOVIE REVIEW: Till

Till is a heartbreaking and meaningful film presented almost entirely through a mother’s point of view. Any mother of any background will tell you that one of, if not, the most ever-present emotions is worry. Debilitating considerations and worst case scenarios often percolate and betray otherwise happy thoughts and sweet moments. All too often, it’s a mental gear that cannot be easily turned off. One of those flustering pauses begins the film and an agonizing tone for Till is set right away.

2022, 4 STARS, ADVANCE MOVIE REVIEW, MOVIE REVIEWDon ShanahanOctober 16, 2022Till, Danielle DeadwylerComment

MOVIE REVIEW: Blonde

The controversial new film Blonde swirls surreal cinematic brushstrokes meant to express the hushed nightmares beyond the celebrity dreams of Norma Jean Mortenson and compose a reminiscent and heartbreaking portrait of the legendary star. The audiences’ applause of adoration is replaced by cries of anguish and pain often unseen by anyone. It is those tears that paint this film. For better or worse, those tears are what you now remember more than the smiles when it comes to Marilyn Monroe.

2022, 5 STARS, ADVANCE MOVIE REVIEW, Film Festival, Independent Film, MOVIE REVIEW, StreamingDon ShanahanSeptember 23, 2022Blonde, Ana de Armas, Andrew Dominik, NetflixComment

MOVIE REVIEW: Fall

Sometimes, the simplest premises are all you need, and Scott Mann’s thriller Fall has that going for it in spades. Long has the subgenre of survival thrillers flourished in this area. By ascending a 2,000 foot antenna in the desert (masterfully so in its own perfect teaser trailer), Mann and his co-writer Jonathan Frank have picked a unique and uncomplicated setting. The film’s characters and camera explore its peculiarity and scale. True to its name, Fall’s plot exploits mortal fears and gets creative with the desperate measures people reach to keep kicking and screaming with life.

2022, 4 STARS, ADVANCE MOVIE REVIEW, Independent Film, MOVIE REVIEWDon ShanahanAugust 11, 2022Fall, Grace Fulton, Virginia GardnerComment

MOVIE REVIEW: DC League of Super-Pets

With its buoyant humor and stellar energy, DC League of Super-Pets is the finest pampering treat we’re going to get and it’s a welcome one, even if a treat like this is a tad on the unhealthy side. With no apologies to Joss Whedon, Zack Snyder, or anyone else, it took bringing in a bunch of animal characters, the writers of The LEGO Batman Movie, and shifting to animation to give us the best theatrical Justice League movie we’ve had to date.

MOVIE REVIEW: My Old School

Combining Cumming’s lifting presence, snippets of archival TV coverage, and the animated sequences, My Old School has beguiling charm mirroring the fascinating central figure and the wry smiles on the faces of the Bearsden alumni telling their yarns. Viewers will absorb this tall tale and ask how much fraudulence is either acceptable or too much in a true-life “fake it until you make it” story. There is an irreverent delight to be had measuring that scale person-to-person and case-by-case.

MOVIE REVIEW: The Gray Man

Both men are stupendously deadly in their own ways. Seen and unseen pushers and handlers with unreliable agendas have tied hands, and forced ones too, for the repercussions to come. Pit these two men and their motives against each other, and the unpredictability ignites itself in The Gray Man. Wall to wall, the Russos have unleashed what may stand as the best pure action movie of 2022.

MOVIE REVIEW: Thor: Love and Thunder

If, from here on out, the Thor series is going to stay in Taika Waititi’s control, so be it. Let him own it and be all things Thor. Hemsworth’s natural charisma and self-deprecating personality, put on blast in Thor: Love and Thunder (buns and all) more than it’s ever been in that shiny armor, match the zany route Waititi has taken with this character. Going back to the bold spirit of Branagh’s mythic origins seems difficult, if not damn near impossible, where Waititi and company would be better off sticking with the fluffy cheese and not even trying. For better or worse, this is Thor now. Maybe at least, even in sideshow comedy mode, this character will finally have consistency.

MOVIE REVIEW: Elvis

Processing such delirium for 159 minutes from what could have been 240, Elvis is an opus of exhaustion. Luhrmann’s fever dream veers from campfire fable to therapy session and is as gaudy as its subject. You don’t just succumb to the Aussie filmmaker’s trademark visual and aural excessiveness. You submit to it, because, goodness gracious, it’s Elvis Aaron Presley and the stature of his legend on this display is indomitable.

2022, 3 STARS, ADVANCE MOVIE REVIEW, MOVIE REVIEWDon ShanahanJune 21, 2022Elvis, Baz Luhrmann, Austin Butler, Tom HanksComment

MOVIE REVIEW: Spiderhead

In both keen and ineffective ways, mood confusion is the slant of choice for Joseph Kosinski’s Spiderhead opening on Netflix this week. Targeting both the narrative characters and us in the voyeurs’ seats, purposeful choices are made to set a certain vibe. That curated atmosphere is meant to cloak and subvert a more impactful identity underneath. The clinchers for Spiderhead’s engagement as a thriller are how tantalizing the constructed mood is and how provocative is the hidden truth.

MOVIE REVIEW: Lightyear

There is a tremendous dichotomy of thought and talk amid Pixar’s Lightyear. Within the movie, we are granted a dramatic hero truer than the memorable action figure caricature we have come to cherish playing alongside other toys. This beefier Buzz Lightyear may still be narrating to himself, but his talk expresses strong emotions and virtuous desires more than push-button quips. He is his own man, not a packaged program of settings and market research.

2022, 4 STARS, ADVANCE MOVIE REVIEW, MOVIE REVIEWDon ShanahanJune 13, 2022Lightyear, Toy StoryComment