This is not your typical feel-good factory product. Beautiful Boy is bracingly honest with its turns and barriers built by emotional whallup. The remarkable performances of Steve Carell and Timothée Chalamet deserve the credit for that impact, fashioning a touchingly stout drama that is braver than most films on the subject. One of the best films you will ever see examining the breadth of drug addiction
Read MoreFor the purpose to sell tickets, this proper villain is touted to be an response to the world having enough superheroes. The resulting film debunks its marketing by reducing Venom into a do-gooder and carnival attraction opposite of that claim. Never once does your heart pump a little quicker from tension. Never once do any hairs stand up in fright in the presence of what should be a complete badass. Those deficiencies shouldn’t happen with Venom.
Read MoreUnlike the popular space race films that have come before it, not a millisecond of First Man feels like typical hero worship celebrating astronaut and aeronautical engineer Neil Armstrong. The music or soundtrack doesn't announce his entrances or achievements. The camera doesn't bathe Armstrong in light and genuflect in his presence to make him seem larger than he really is. What is not trumpeted as heaps of grandiose praise by Academy Award-winning La La Land director Damien Chazelle is instead honed into a poignant and resolute testament of honor.
Read MoreCooper simmers with swagger before Gaga’s vocal force boils the cauldron over, taking everything to another level. Songs emerge and what was cauterized by charged passion is now frozen in alluring amazement of the talent on display. With this fourth version of A Star is Born, you will find yourself captivated watching the expressive performances, both sung and unsung, no matter if it is for an audience of thousands or just merely one.
Read MoreFor the fourth year, the proud national and international efforts of Irish flair and flavor grace the Gene Siskel Film Center in downtown Chicago. With sponsorship led by Slane Irish Whiskey, the Irish American Movie Hooley is a three-night trio of films gracing Chicago screens as a special program. The “party” translation of its title at the forefront. Here are my capsule reviews!
Read MoreSerenading and soul-bearing for two stout hours, Ethan Hawke’s third directorial effort personifies the quintessential plight of the “starving artist.” Whether they carry a paintbrush or a guitar, these will-they-or-won’t-they tales stir hope and anticipation as nearly irresistible cinematic story material. Real or fictitious, we want to see the Vincent van Goghs, Llewyn Davises, and Blaze Foleys find success. Greater than rooting for an ending of stardom, there is whimsical power to be found in simply reaching emotional fulfillment.
Read MoreThe same cadence of thinking can be extended to the upcoming short film Friends and Other Spooky Things by local Chicagoland filmmaker George Sourile. He chose the right adjective to include in that title because spooky is the proper wavelength of charm that makes something small and DIY like this work. It’s a nudge of an easy stroll that tip-toes rather than stomps and a worthy notch of greenhorn accomplishment, and that’s all it needs to be.
Read MoreThe entirety of this daring film is presented through the layers of screens across computer desktops, video streams, and a mouse pointer that moves like a scalpel over those pixelated surfaces. The effect is addictively scintillating to create harrowing emotional triggers. Call it a gimmick all you want, but be prepared to be dazzled and proven wrong by the astonishing narrative construction and visual storytelling conduits. True to both the lurid intensity and exceeding excellence of the dictionary definition, Searching is downright sensational
Read MoreThe slogan of Spike Lee’s long-time production company 40 Acres and a Mule Filmwork is “by any means necessary,” a tagline that could not be more fitting of the urgency and purpose of Spike’s works. Nothing he puts his effort into ends up empty or meaningless. His lightning rod flair singes silver screens again with Cannes Film Festival Grand Prix prize winner BlacKkKlansman, stoking a p
Read MoreThe wow factor will always bring eager action junkies to a Mission: Impossible film. This one earns your admission price and then some with some of the best set pieces, fight sequences, and chase scenes in the franchise’s history. It’s all pure finesse. Impressiveness notwithstanding, it’s the intelligent cleverness of each entry as a spy flick that keeps audiences coming back for seconds. This series has only gotten stronger thanks to the healthy spacing of releases, trajectory of continuity, and established character anchors started by J.J. Abrams 12 years ago.
Read MoreYou will color yourself impressed by the unexpected power of this independent to subvert expectations with such cunning dexterity. No matter if it’s zero budget devil-may-care freedom or a nine-figure open blockbuster checkbook, few movies on any level could ever dream a way this damn good to marry and blend stoic manliness and a whimsical romance on top of the lurid exploits its title advertises. The Man Who Killed Hitler and Then The Bigfoot punches with pulp and grinds gravitas rather than gore.
Read MoreDropped jaws, bashfulness, winces, worries, and all, this dynamite film needs to be required viewing for the teens out there, especially girls, of these complicated and confusing present times. And the people that should be joining them in the next closest seats are their parents who need their eyes and hearts opened as well. Adults, this Eighth Grade may not be your plight or a mirror to your own middle school experience, but you can engage and empathize easily with its challenges.
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