For the fourth year, the proud national and international efforts of Irish flair and flavor grace the Gene Siskel Film Center in downtown Chicago. With sponsorship led by Slane Irish Whiskey, the Irish American Movie Hooley is a three-night trio of films gracing Chicago screens as a special program. The “party” translation of its title at the forefront. Here are my capsule reviews!
Read MoreThe phrase “they’re just kids” shouldn’t be the verbalization of a dismissal. Rather, it should be spoken as a moment of pause to reflect on what future positive or negative impact could come from the lifestyle choice being observed. We the Animals, the feature debut of short film director Jeremiah Zagar, lives for those errors and pauses as one of the best independent films of the year.
Read MoreThe entirety of this daring film is presented through the layers of screens across computer desktops, video streams, and a mouse pointer that moves like a scalpel over those pixelated surfaces. The effect is addictively scintillating to create harrowing emotional triggers. Call it a gimmick all you want, but be prepared to be dazzled and proven wrong by the astonishing narrative construction and visual storytelling conduits. True to both the lurid intensity and exceeding excellence of the dictionary definition, Searching is downright sensational
Read MoreDropped jaws, bashfulness, winces, worries, and all, this dynamite film needs to be required viewing for the teens out there, especially girls, of these complicated and confusing present times. And the people that should be joining them in the next closest seats are their parents who need their eyes and hearts opened as well. Adults, this Eighth Grade may not be your plight or a mirror to your own middle school experience, but you can engage and empathize easily with its challenges.
Read MoreKicking up scratchy dust in the western genre, the Zellner Brothers rousingly debunk and demystify that stereotype to create a dark comedy of their own pitch and prickliness. With humor as dry as the topography, Damsel is the kind of film that sneaks up on you like a snake in the weeds. The brothers and fellow stars Robert Pattinson and Mia Wasikowska dance all over this landscape, but the steps keep dawdling when the music runs out.
Read MoreIn the third and final part of a busy May collaboration, Mike Crowley of "You'll Probably Agree" leads a full-bodied recap of what he and I covered from the prestigious and successful 6th Chicago Critics Film Festival. We rundown a collection of 10 reviews that included The Guilty, First Reformed, On Chesil Beach, Eighth Grade, Bodied, Support The Girls, Revenge, We The Animals, and Abducted in Plain Sight. Enjoy this uncut back-and-forth shared discussion!
Read MoreOriginal On Chesil Beach writer Ian McEwan was able to write his own screenplay and select his own places to deviate and condense. The denouement in the film is shortened from the deeper explorations made by the novel. It’s a hell of a turn that hits like a ton of brick but feels very rushed. The additional heft and scope do elevate the film from the comedic beginning into something more poignant, albeit it is a mismatched and difficult experience to approach and accept, much like the maligned central couple.
Read MoreWith First Reformed from A24, veteran writer-director Paul Schrader has crafted another startling and fascinating cinematic gem on his favored topic of self-destruction. The escalating tension is phenomenal, guiding heavy lessons and postures, all led by quite possibly the best performance to date from Ethan Hawke. Discerning audiences will find much to dissect and discuss as they process First Reformed.
Read MoreUPDATED: Found within are my capsule reviews of the feature films and documentaries covered by Every Movie Has a Lesson from this year’s 6th Chicago Critics Film Festival. This post will be updated as new films are reviewed are completed, so be sure to bookmark this and come back each day as new offerings arrive. Build your 2018 hidden gem list and see you at the Music Box Theatre in Lakeview!
Read MoreThe melodramatic preposterousness of Colors of the Wind is two-fold. The first layer is good old-fashioned stage magic, everything from card tricks to disappearing acts. The second comes from the notion of doppelgangers, the fanciful term for doubles, ghostly counterparts, and alter egos that have been a storytelling trope before in film. Both elements create spirited and soapy intrigue in the film when combined with the romantic destiny of star-crossed lovers.
Read MoreConstantly bucking stereotypes made about the perceived flaws of the Second City, the progressive and affluent enclave of Rogers Park statistically contains the highest level of racial diversity in Chicago. It is as great a place as any in the urban metropolis to tell a blended story of the hardened hearts within hard-working people. A blanketing sunrise over the freshwater surf of that aforementioned Great Lakes welcomes viewers to Rogers Park.
Read MoreFor anyone who thinks Suicide Squad star and The Wolf of Wall Street vamp Margot Robbie is just a hot bod and a pretty face, watch I, Tonya. The 27-year-old Aussie’s ferocious and zealous performance riding the peaks and valleys of disgraced former champion figure skater Tonya Harding will erase those old notions centered solely on attractiveness. Brimming with depravity and teaming with talent, I, Tonya may be the brashest film you will see seen this year
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