Posts in 3 STARS
DOCUMENTARY SHORT FILM REVIEW: Donald in Mathmagic Land

Frees’s voiceover goal is to change Donald’s mind about math, to ruffle his feathers of antiquated ideas, false concepts, superstitions, confusion, and general bungling (all revealed in pseudo-analog-Inside Out fashion).  Whether the knowledge of these “boundless treasures of science” stick in his bird brain remains to be seen.  Spirited and pristinely stylish animation, dancing shapes, and moveable manipulatives fill the screen backed by music from Buddy Baker, a veteran of 26 Disney films of the era.  

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MOVIE REVIEW: 1945

The end of a large war is always a turning point that trickles down from the front lines and the soldiers at arms to the home front with those that maintained their respective communities when their fighters were away.  Wars benefit some community members while tragically redefining others. 1945 is a small and intense microcosm of that dichotomy demonstrated over the course of one fateful day in the aftermath of World War II.  Shot in bracing black-and-white, this film exudes strong themes of guilt across several points of view.

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MOVIE REVIEW: Paul, Apostle of Christ

Removing the religious marrow from the bones of Paul, Apostle of Christ will not weaken the story being told by the film.  At its core, the reverent desire to document an enlightened jailed man’s life story before his pending death is a respectful measure of learning and commitment anyone from any walk of life can appreciate.  Moreover, when the purpose of recording is to carry on the prisoner’s mission, the sense of regard grows. Once the spiritual gravity of the “who” and the “what” is applied, the importance of this chronicle increases even further.

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MOVIE REVIEW: Journey's End

Journey’s End recounts the British side of a climactic four-day span from March 18-21, 1918 in the stalemate “No Man’s Land” trenches of Aisne in northern France in the lead-up to Operation Michael.  Every month, each British company is required to serve six days on the front line where casualties are gravely high. Gambling with death sentences, both trooper and officer alike pray that their six days are not the ones where an offensive is being amassed or defended.  

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MOVIE REVIEW: Submission

Stanley Tucci is a cinematic treasure of sarcasm.  What that man can shell out in a throwaway line, a raised eyebrow, or a pause of bated breath is on another level to most of his peers and contemporaries.  When Stanley cranks that mockery up with profanity, it only gets sharper. It would take quite the rug pull to disrupt that man’s mojo. Tucci meets that tumultuous turmoil in Submission

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MOVIE REVIEW: The Death of Stalin

Hot damn, you know your satire is magma-level hot when you offend the powers-that-be of a country enough to ban your film from playing on their soil.  Labeled as “extremist” and a “provocation” enough to spark tabloid headlines like “the film Hitler could have made,” Armando Iannucci’s The Death of Stalin wears a giant badge of pride next to a tiny medallion of shame on its cinematic uniform on being banned in four nations: Russia, Kyrgyzstan, Azerbaijan, and Kazakhstan.

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MOVIE REVIEW: Colors of the Wind

The melodramatic preposterousness of Colors of the Wind is two-fold.  The first layer is good old-fashioned stage magic, everything from card tricks to disappearing acts.  The second comes from the notion of doppelgangers, the fanciful term for doubles, ghostly counterparts, and alter egos that have been a storytelling trope before in film.  Both elements create spirited and soapy intrigue in the film when combined with the romantic destiny of star-crossed lovers.

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MOVIE REVIEW: Annihilation

Before it even debuted, Annihilation, wunderkind filmmaker Alex Garland’s big studio follow-up to Ex Machina, was labeled “too intellectual” and “too complicated.”  Come what may, the film is quite exactly those two qualities and then some.  However, what might be a smearing hindrance for some is a emblem of brilliancy to others.  Because the film could land either way, the intrigue and anticipation surrounding Annihilation couldn’t be better.  You will undoubtedly get your mind’s worth and your money’s worth stepping up the cerebral challenge of this film.

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MOVIE REVIEW: Rogers Park

Constantly bucking stereotypes made about the perceived flaws of the Second City, the progressive and affluent enclave of Rogers Park statistically contains the highest level of racial diversity in Chicago.  It is as great a place as any in the urban metropolis to tell a blended story of the hardened hearts within hard-working people.  A blanketing sunrise over the freshwater surf of that aforementioned Great Lakes welcomes viewers to Rogers Park.

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MOVIE REVIEW: A Fantastic Woman

Audiences will need to go beyond “brave” to describe and complement the shattering performance of Daniela Vega starring in A Fantastic Woman.  Searing the screen with moments of serenading song and ever-present fortitude, the openly transgender Chilean actress and model seethes with uncommon determination.  Saying “good for her” is not enough praise.    

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REVIEW COLLECTION: The Oscar nominees for Best Animated Short Film

Here are my collected reviews for the Oscar nominees for Best Animated Short Film.  Listed in order of rating and true to my website’s hook, each review includes a life lesson takeaway.  A collected program of these films is available from various theater chains, including the Landmark Cinemas locations here in Chicago, starting on February 9th.  In 90 minutes-and-change, you get five exceptional works for one ticket.  Calling all Oscar completists!

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MOVIE REVIEW: Call Me By Your Name

No matter the charm and beauty, what can be questioned is the connection.  Circle all of the emotionality back to the opening essential questions.  Your tolerance is the key to connecting to Call Me By Your Name.  Your comfort level for the homoerotic summer romance being woven and your acceptance of the controversial age difference within this narrative are everything.  Either of those two qualities could be easily ignored obstacles for some or a no-go hang-ups for others

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