Posts in Independent Film
SPECIAL: Previewing the 7th Chicago Critics Film Festival

For the seventh consecutive year, many of the best domestic and international films on the festival circuit come to Chicago thanks to the Chicago Film Critics Association. The 7th Chicago Critics Film Festival opens May 17th at the famed and restored Music Box Theatre in the northside Lakeview neighborhood. Steaming towards a decade in successful existence, the CCFF remains the only film festival curated by film critics in the nation. This year, 25 feature films and two short film programs comprise their rich and ambitious offering slate

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MOVIE REVIEW: Clara

Citing genuine and actionable science, Clara builds heady inquiry for the voluminous and important research of its depicted discipline. Its sense of intelligence intertwines with the unpredictability found in the amorous reverberations of the human heart. This combination creates an intimate and daring film experience that enraptures as easily and as powerfully as it fascinates.

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MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on April 29, 2019

THIS WEEK'S QUESTION: What major filmmaker should try their hand at television?

Full admission, I don’t little to zero current TV. I’m a long-time cord-cutter and I’ll occasionally binge a show with my wife on Hulu or Netflix. Still, the list of buzz-worthy shows I haven’t seen during this 21st century evolution of the medium that keep water coolers thriving is ridiculously long. However, my eye for the movies can pick out a good creative mind. A little research on Google revealed many prime director names who’ve had their moonlighting projects on television, much to my surprise. After a few nominees, I found my stylish pick.

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DOCUMENTARY REVIEW: Penguins

Penguins represents the combined work of over a dozen cinematographers documenting the miraculous and treacherous annual life cycle of the Adelie penguins of Antarctica. The two directors sought to give this circle of life character. That’s where the affable Ed Helms comes in as a narrator. He provides color commentary as “Steve,” one such Adelie penguin who is a first-time father for this annual journey. High and low, dry and wet, close and far, and through every blizzard in between, Penguins presents this apprehensive newbie with education and entertainment combined together.

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SHORT FILM REVIEW: Trained

The opening scene of filmmaker Yuri Rutman’s spare yet sizzling short film tantalizingly begs many questions. What kind of couple are we witnessing? What triggers provoke this passion? A montage follows to show that this wild escapade is not the first time the hearts and loins of these two people have been electrified around the rails of public transportation. This is Jake and Emma, and they are tragically intoxicated by two different things at the expense of each other.

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MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on April 22, 2019

THIS WEEK'S QUESTION: How do you think the legacy of the Marvel Cinematic Universe will impact the movie world?

Boy, this was a rough survey collection. The majority of participants this week have more negative responses and rationales than positive ones when it comes to talking about the lasting impact of the MCU. I’m unashamed and proud to try and be one of the more positive replies. Is it part of a big corporate greed monster? Maybe, but I cannot deny how it’s become a huge and influential success.

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MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on April 15, 2019

THIS WEEK'S QUESTION: What’s the most beautifully animated film ever made?

Much to my surprise, I was the only participating critic in this week’s survey to cite a Disney movie, and a classic one at that. As you’ll read in my contribution, I can’t get over the depth from the backdrops in Sleeping Beauty. I do love that Loving Vincent inclusion. That very much in the running for this vote.

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MOVIE REVIEW: Stuck

Yet, like the truthful insides of any gathering of unknowns, there’s more to Stuck than a mere interval of happenstance, and the swelling urban musical that rises from its collective lungs elevates that fact. The spoken and sung revelations of each character’s plight create a clashing cross-sectional dip into America’s Melting Pot. These poignant emotions fuel biting social commentary in a way few films, big or small budget and musical or otherwise, have ever succeeded.

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MOVIE REVIEW: Mary Magdalene

This film’s slightness is meant to simplify proceedings to their truest essence. Mary Magdalene contains the bare minimum of theatrics. The result may be painstakingly slow at times, but its grounded firmness is precisely its beauty. There is a calmly effective empathetic power to that method and approach. The specifying or sermonizing is scant and still stoic. The poignancy is pitched and still powerful. The grace is consoling and still genuine. All of that is mightily impressive.

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MOVIE REVIEW: Storm Boy

Ten life lessons than pet ownership can teach children include responsibility, trust, bereavement, respect, self-esteem, physical activity, loyalty, patience, and social skills. Now, for most of us stateside, our preferred companions are often dogs and cats. The canines and felines get movies for days from Old Yeller to The Secret Life of Pets. In South Australia’s coastlands, the prevailing animal neighbors are birds. So, how well do you know a pelican? Come to Storm Boy and find yourself newly enamored.

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MOVIE REVIEW: Breakthrough

Too often nowadays in our headline-seeking and attention-starved society, that first definition of “miracle” is stretched and overused to the point of hyperbole, right there next to other words like “epic” and “masterpiece.” There are places where effectiveness has been lost. That second definition calling for divine intervention is a doozy. It calls for higher piety. Well, good believers love divine challenges and so does this Breakthrough starring Chrissy Metz.

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MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on April 8, 2019

THIS WEEK'S QUESTION: What film has most defied your expectations, either for better or for worse?

I harp often about unreasonable expectations. Between giving up trailers and really trying to bring a little more objective grading into subjective criticism, I’ve come to hate the term “expectations.” I really stretch to stay neutral at all times. That said, having zero expectations is impossible, which means, like this week’s question, plenty of movies will surprise me from what they were billed to be. For my answer this week, I dug back to 1999 and picked out a silly movie that really won my over, cheese and all.

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