Posts in Independent Film
MOVIE REVIEW: The Public

The number of debated points in The Public outnumber the aisles and stacks. On one hand, that crowding creates an involving and intriguing machine of tied fates and a roundtable forum sampler for the viewer. On the other, that same populated weight does make the film saturated with many bouncing tangents of rhetoric, not all of which mesh fluidly. Nevertheless, the debate balance of this brouhaha of hubris and sentiment favors the rightly idealized and positive. The Public makes a worthy stump speech for its checklist of modest societal issues.

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MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on March 25, 2019

THIS WEEK'S QUESTION: Is “elevated horror” a real thing"?

I’m not a horror film regular or connoisseur, but I know and appreciate a good horror film when I see one. I know “elevated horror” has become a buzz term, as evidenced by David Ehrlich’s survey this week, but I think the unlabeled idea of it has been around since the beginning of the genre. I consider it’s a compliment, which puts me in the slim minority this week on the dais.

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MOVIE REVIEW: Us

One’s communal theater experience and entertainment value is addictively fed and your mind will race afterword, preserving the impact for even more internalization, compartmentalization, and surprise. That said, what do these lessons and all of this in Us mean? If the details do not expand the buzz of the mindf — k at hand, nothing will. Keep Peele’s targeted purpose in mind when you dig into Us for what you can extract. Open your perceptions and hold your s — t together.

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DOCUMENTARY REVIEW: Apollo 11

There are about three levels of “how in the hell did they do that?” that come from watching the sterling documentary Apollo 11. That exasperating and jaw-dropping question comes out often when we watch fantastical cinematic tales of fiction. But it’s different with Apollo 11 because of the non-fiction nature. Dozens of brilliant-yet-unassuming scientists, engineers, and specialists poured their lives and livelihoods into this mission and the entire program. In their honor, the documentary team led by director/producer/editor Todd Douglas Miller, have now echoed that monumental achievement with an artistic one of their own.

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MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on March 18, 2019

THIS WEEK'S QUESTION: What is the best documentary about the American political system?

Documentaries are not my strong suit. I’m a big An Inconvenient Truth mark, but I wouldn’t call that a documentary about the American political system just because of the presence and olive branch policies of former Vice President Al Gore. Ava DuVernay’s 13th also has scope beyond the business and posturing of D.C., but the political threads run farther and deeper, making it my worthy pick this week.

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MOVIE REVIEW: Finding Steve McQueen

Finding Steve McQueen carries the boasting superlatives of the detailing the “largest bank heist in U.S. history” and, according to director Mark Steven Johnson, one of “the greatest stories never told.” Don’t expect a film of that kind of scope and size. This is a big crime orchestrated by small people who think they are bigger than they really are. The year is 1972 and the illegal act is the United California Bank Robbery.

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MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on March 11, 2019

THIS WEEK'S QUESTION: Who is the greatest movie cat of all-time?

Eschewing the rest of the trollish buzz surrounding Captain Marvel, I really appreciated that David Ehrlich picked a lighter question this week. In honor of the scene-stealing “Goose” from that new Marvel entry, we critics were asked to elect a top feline. Honestly, it was hard not to just picked the marmalade-colored Flerken. It took a little soul-searching (and Google searching) to remind myself of the toilet-flusher himself.

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MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on March 4, 2019

THIS WEEK'S QUESTION: Who is the best villain so far this century?

Gosh, this one was a hard one. For every obvious Heath Ledger Joker from The Dark Knight or Javier Bardem’s Anton Chigurh from No Country For Old Men, you could site anything Philip Seymour Hoffman in from Mission: Impossible III to Rachel McAdams in Mean Girls and still land on a good pick. I emphasized the dastardly and went smaller with J.K. Simmons’ Oscar-winning antagonist from the masterful Whiplash.

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MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on February 25, 2019

THIS WEEK'S QUESTION: Who should play James Bond after Daniel Craig is done?

Between Connery, Moore, Dalton, and especially Brosnan, I credit my mother for making me a James Bond fan. Though the Mission: Impossible franchise is on quite a run, I still consider Ian Fleming’s character king of the spy game. With Daniel Craig north of 50 and rumored to be done, the decadent tuxedo will be open to a new actor soon. I think I know just the guy and it’s an eclectic choice.

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MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on February 18, 2019

THIS WEEK'S QUESTION: What is one silver lining of this year's awards season, and why?

The 2018-2019 awards season has been a contentious and challenging up-and-down chore. Unpredictable one moment and inflexible the next, it was hard to find what David Ehrlich was looking for. Then I remembered the stature and history of Spike Lee and what a win for him would mean. I found my answer right there.

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OSCAR PREDICTIONS 2019: The race for Best Picture

It’s time to breakdown each category and put some stone cold predictions into digital ink. Throughout the busy awards season, this website’s 2019 Awards Tracker has been my workspace to tally all the early award winners. That prognostication data is cited in these predictions. This column examines the race for Best Picture. As I say every year, stick with me and I will win you your Oscar pool!

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OSCAR PREDICTIONS 2019: The minor film categories

It’s time to breakdown each category and put some stone cold predictions into digital ink. Throughout the busy awards season, this website’s 2019 Awards Tracker has been my workspace to tally all the early award winners. That prognostication data is cited in these predictions. This column examines the minor film categories of foreign film, documentaries, animated films, and short films. As I say every year, stick with me and I will win you your Oscar pool!

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